Showing posts with label Brent Spiner. Show all posts
Showing posts with label Brent Spiner. Show all posts

Tuesday, September 12, 2017

A Good Idea With A Mediocre Execution: The 2017 Captain Jean-Luc Picard And Lieutenant Commander Data Ornament Underwhelms!


The Good: Good balance, Good sculpts, Neat sound function
The Bad: Expensive, Overproduced, Painted details are off, Animated look to the characters
The Basics: The 30th Anniversary of Star Trek: The Next Generation is celebrated by Hallmark with the 2017 Captain Jean-Luc Picard And Lieutenant Commander Data ornament, which is a good idea with a middling execution.


2017 is the 30th Anniversary of the debut of Star Trek: The Next Generation and to celebrate it, one of Hallmark's Keepsake holiday ornaments is focused on characters from the classic science fiction television show. The ornament is the 2017 Captain Jean-Luc Picard And Lieutenant Commander Data ornament, which straddles the character and mural ornament styles. The substantive ornament is well-sculpted and has a generally cool sound function, but the painting for the ornament is a bit off, getting some of the details wrong and making the characters look animated.

The Captain Jean-Luc Picard And Lieutenant Commander Data is a Hallmark ornament released in 2017 as part of the 30th Anniversary celebration for Star Trek: The Next Generation. The ornament is one of the more expensive Star Trek ornaments on the market, but it is also one of the largest ones Hallmark has ever produced!

Basics

The Captain Jean-Luc Picard And Lieutenant Commander Data ornament recreates Captain Picard, seated in his Captain's chair, with Data standing behind him on a piece of deck plating. Right off the bat, the concept is one that is a neat idea, but makes no sense for the setting. Picard's Captain's chair was flanked by seats on either side and there was no actual space behind the chair; the Security station was above and behind the chair on, essentially, a quarter-wall, ramp ledge. In other words, the Data in the Captain Jean-Luc Picard And Lieutenant Commander Data ornament would be standing where chairs or a raised floor were!

The Hallmark Captain Jean-Luc Picard And Lieutenant Commander Data ornament is made of a durable plastic and it is fairly large given that it is Picard, the chair, the deck and Data all in one ornament. The ornament is 5 1/8" tall by 3 3/8" wide by 3" deep, making it one of the largest Star Trek ornaments Hallmark has ever produced. The ornament features some pretty wonderful sculpted detailing. Both characters look recognizable and have sculpted features like fingernails, which is an impressive level of attention to detail. Picard's hair is textured to look realistic and for the size, that is one of the finer details that could be sculpted on. The Captain's chair looks immaculate and the uniforms are adequately detailed on the sculpt front to look realistic and like the subjects.

On the coloring front, the Captain Jean-Luc Picard And Lieutenant Commander Data ornament is significantly less-detailed. The skin tones are monotonal, making Picard look animated, not realistic and Data's coloring is a bit more green in the yellow than Data's android skin tones possessed. The coloring is simplistic and the height of the problems with the coloring details is that Data's rank pins are miscolored (as a Lieutenant Commander, he would have two solid, one outlined, pips - the ornament has him promoted to a full Commander with three full gold pips). Ironically, the chair and section of flooring are colored in monotones that still make them look realistic instead of animated!

Features

As a Hallmark Keepsake ornament, the Captain Jean-Luc Picard And Lieutenant Commander Data ornament has an impressive sound function. With the press of a fairly well-concealed button, the Captain Jean-Luc Picard And Lieutenant Commander Data ornament plays one of (at least) seven audio clips from Star Trek: The Next Generation. The sound clips are pretty cool and the ornament plays them loud enough, but the clips - somewhat ridiculously - do not feature clips exclusively of the two characters featured on the ornament! It's not like there wasn't a wealth of material to be mined of dialogue between Picard and Data, but some of the clips are not dialogue exchanges between those two characters. That is the sort of thing that fans who might shell out for the ornament are likely to notice!

That said, for the price, the sound function is a good one.

Balance

As with all ornaments, the intent of the Hallmark Keepsake Captain Jean-Luc Picard And Lieutenant Commander Data ornament is to be hung on a Christmas Tree. And for those creating the ultimate Star Trek Christmas Tree, Captain Jean-Luc Picard And Lieutenant Commander Data is a bit unnecessary as Hallmark has previously produced ornaments of each of the two characters separately. The ornament has a brass hook loop rather obtrusively placed. From that hook, the Captain Jean-Luc Picard And Lieutenant Commander Data ornament hangs fairly level. The ornament's base makes the balance important, but most of the time it hangs level, despite the obvious placement of the hook loop.

Collectibility

Hallmark Keepsake began delving into the collectibles market in 1991 with Star Trek when it introduced the exceptionally limited edition original U.S.S. Enterprise ornament (click here for my review!). The Captain Jean-Luc Picard And Lieutenant Commander Data ornament is a ridiculously common ornament and already it can be found on the secondary market for well under its original issue price. While some fans might buy them cheap and do custom paintjobs, one suspects the bulk of these ornaments will sell on clearance after the holiday season is over.

This is a poor investment piece and it is unlikely it will appreciate in value.

Overview

The Captain Jean-Luc Picard And Lieutenant Commander Data Christmas ornament is somewhat underwhelming, despite being a neat idea. The result is a somewhat lackluster tribute to the 30th Anniversary of Star Trek: The Next Generation.

For other Star Trek ornaments of characters, please check out my reviews of:
2016 Legends Of Star Trek Ensign Pavel Chekov (Limited Edition)
2015 Legends Of Star Trek Lieutenant Uhura
2014 Legends Of Star Trek Lieutenant Hikaru Sulu
2014 Vina The Orion Slave Woman (Limited Edition)
2013 Legends Of Star Trek Commander Montgomery “Scotty” Scott
2012 Legends Of Star Trek Dr. Leonard "Bones" McCoy
2011 Legends Of Star Trek Spock
2010 Legends Of Star Trek Captain James T. Kirk
2009 Limited Edition Ilia Probe
2005 Khan
2004 Commander Charles “Trip” Tucker
1999 Lieutenant Commander Worf
1997 Dr. McCoy
1996 Mr. Spock

4.5/10

For other ornament reviews, please check out my Ornament Review Index Page!

© 2017 W.L. Swarts. May not be reprinted without permission.
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Thursday, January 5, 2017

Dump The Franchise: The Star Trek Classic Movies Heroes & Villains Trading Cards Fizzle!


The Good: Generally cool common and basic chase sets, Collectibility
The Bad: Exceptionally fractured execution of concept, Some of the most obscure autograph signers, Rarities and numbering is problematic (especially for the cost).
The Basics: Rittenhouse Archives closes out their pre-J.J. Abrams movie card sets with the premium Star Trek Classic Movies Heroes & Villains set that ends the concept on an unfortunately low note.


When it comes to Star Trek trading cards, there have been some interesting trends in the various trading card sets and on the long arc of its holding the license, Rittenhouse Archives has done a pretty amazing job of producing trading cards for the fans. That said, not every concept Rittenhouse Archives has tried has worked out ideally. Retrospect is one thing and given the trends that followed, I would probably rate Rittenhouse Archives's Complete Star Trek: The Movies (reviewed here!) trading card set higher if I were to review it today. Sets that followed the Complete Star Trek: The Movies have become prohibitive to collect and Rittenhouse Archives has straddled the fence of creating and following the annoying trends of making impossible-to-collect sets.

But, well before Rittenhouse Archives effectively wittled down the possible number of Star Trek trading card collectors from twenty-five to five, Rittenhouse Archives was busy making ambitious plans to please collectors. Star Trek fans had a lot to be thrilled with, but it was hard to believe the company had anywhere left to go with the Star Trek films when they began with the Complete Star Trek Movies set. Despite starting their explorations of the cinematic Star Trek films with an ambitious and comprehensive set, Rittenhouse Archives churned out three more Star Trek film sets before committing their attention to the new J.J. Abrams Star Trek films. The final of the Classic Star Trek movies sets was the Star Trek Classic Movies Heroes & Villains set and it was released originally in "premium packs." It also had the unfortunate distinction of being a set that feels like a dump of the accumulated autograph cards withheld from prior Star Trek Movies sets.

That is not to say that the Star Trek Classic Movies Heroes & Villains is terrible, but the original release format - with packs that cost as much as boxes of trading cards used to! - the lack of a solid set concept and the emphasis on autographed trading cards that vary incredibly between impressive and utterly obscure performers make for a trading card set that is not particularly good.

Basics/Set Composition

The Star Trek Classic Movies Heroes & Villains was the eighth set of cards that focused on the cinematic Star Trek produced by Rittenhouse Archives. Properly assembled, the set is a collection of 109 trading cards and there is an official Star Trek Classic Movies Heroes & Villains binder from Rittenhouse. All but six of the cards are available in the box of the Star Trek Classic Movies Heroes & Villains cards, making it one of the sets that is a bit easier to collect, though the way the "premium packs" were produced and released make it somewhat irksome to do so. The cards were originally released in boxes that contained fifteen premium packs of nine cards each, two of which were autograph cards. Packs tended to run in the $50 range, the boxes cost as much as a case used to cost and the boxes were guaranteed to have an autograph card from either Leonard Nimoy or William Shatner in it.

Collation in the The Star Trek Classic Movies Heroes & Villains set was quite good. To complete a true master set of The Star Trek Classic Movies Heroes & Villains cards, collectors had to purchase at least four boxes of the cards, as there was a four-box incentive autograph card. As well, there were promotional cards that were not available in boxes or cases and there was one card that was only available through Rittenhouse Archives' Rittenhouse Rewards program (though it was inexpensive in its wrapper cost). But, more than most of the other Rittenhouse Archives trading card sets, the amount of repetition to get the four-box incentive card seemed excessive.

Common Cards

The common card set consists of 54 trading cards, which are printed on standard cardstock and have a glossy UV resistant coating. The fifty-four card common set alternates the heroes and villains of the Star Trek movies, with green for the heroes, red for the adversaries. With fifty-four cards, Rittenhouse Archives caters to putting the cards in binders as the binders have standard nine-card pages.

The concept of the Star Trek Classic Movies Heroes & Villains is a fairly mediocre one. While all of the cards are oriented in the landscape format and universally feature character shots, the choices for characters to focus on and images are somewhat problematic. While all of the main crew members are represented in the "heroes" half (even numbers), the heroes also include obscure supporting heroes like Commander Decker, Commander Rand, and Lily Sloane. There are both versions of Lt. Saavik (Kirstie Alley and Robin Curtis's versions) and there is a noticeable lack of Artim in the supporting hero characters. For the images, it is strange that Rittenhouse Archives utilized an image of Geordi La Forge with the character in his VISOR given that he had artificial eyes for three of the four Star Trek: The Next Generation films.

The villains section of the Star Trek Classic Movies Heroes & Villains has to stretch even more to achieve its concept. Captain Terrell is characterized as a "villain" in the set (he was villainous only after being taken over by a mind-controlling parasite from Khan) and given that Kruge's obscure support staff of Torg and Maltz are included as "villains," it seems odd that Joachim is left out of the set. Similarly, that the Space Probe from Star Trek IV: The Voyage Home is included in the set as a villain makes it somewhat incomprehensible that V'Ger is not included.

All of the common cards in the Star Trek Classic Movies Heroes & Villains set have an individual collector's number stamped on the back. With only 550 common card sets, the Star Trek Classic Movies Heroes & Villains set is one of the few common sets that has high inherent value to it. Rittenhouse Archives does not waste time or space in the Star Trek Classic Movies Heroes & Villains set on text; the cards merely include the character's name, which makes sense for characters like Commander Riker, but less for Gallatin (though, one supposes, if there were a character description for the character, it would be hard to write more than had already been written about him for prior card set releases!).

Chase Cards

There are fifty-five chase cards in The Star Trek Classic Movies Heroes & Villains set, with forty-nine found in the boxes of cards and the remaining six available outside the boxes and packs. The bonus cards that can be found within the boxes were the Tribute cards, Die-Cut Gold Plaque cards, autograph cards and patch cards. Given how the common card set fits perfectly into usual nine-card pages, the fact that the bonus cards are not in nine-card increments and are not universally-oriented (most are portrait-oriented, but the patch cards are landscape-oriented) is problematic.

The most common bonus cards in this set were the Tribute cards, which were found one per pack. The twelve Tribute cards were limited to 475 each and, like the common cards, feature an individually-stamped number on the back. The Tribute cards feature a large picture on the front of each card of a major actor from the Star Trek films who has since died. Major actors like DeForest Kelley, Mark Lenard and Ricardo Montalban are accompanied by the likes of Persis Khambatta, Dame Judith Anderson and Robert Ellenstein. The backs are formatted like an autograph card with the actor and character name. The tribute cards are hearbreaking in that they make fans want the cards to get them signed by the people on them, they are such nice cards!

Also one per pack in the Star Trek Classic Movies Heroes & Villains premium packs were one of fourteen die-cut gold plaque cards. The portrait-oriented, limited to 425 cards, look like gold ribbons bordering a bust shot of each of the main cast members from the Enterprise crews. This is a good-looking set of cards that combines the foil borders with decent images of each of the characters from the Star Trek films . . . except Worf. Inexplicably, the front image on the H12 card features seventh season promotional shot for Worf, as opposed to any image of him from the Star Trek films! Seeing as the back features a shot of Worf from the films, it seems odd that Rittenhouse Archives failed to get an appropriate image for the front of the card.

The Star Trek Classic Movies Heroes & Villains continue the autograph style that Rittenhouse Archives began in their Complete Star Trek: The Movies. The missing prior autograph cards - A107 and A111 - were included in the premium packs. Each box of Star Trek Classic Movies Heroes & Villains was guaranteed to include an autograph from either William Shatner or Leonard Nimoy and they were two of the highlights of the set. The Star Trek Classic Movies Heroes & Villains included yet another Brent Spiner autograph and the rarest autograph in the set was from Joseph Ruskin, which was significant only in that he died two years later. Ruskin was far better known for his role in the original Star Trek than in his supporting role in Star Trek: Insurrection. The high point of the Star Trek Classic Movies Heroes & Villains autograph set is that it includes a Christian Slater autograph card, which is cool. But, Slater's autograph comes up with far less frequency than less well-known performers who had even less substantive roles in the Star Trek films than Slater did, like Gary Faga and Conroy Gideon.

The Star Trek Classic Movies Heroes & Villains continues the patch card set begun in the “Quotable” Star Trek: The Movies cards, which were based upon the patches on the uniforms in Star Trek: The Motion Picture. Individually numbered to 250, the two badge cards feature insignia patches made for Rittenhouse Archives for Commander Decker and Lieutenant Ilia. The patch cards were found one per box, as boxtoppers, and were unable to hold their value against the "Quotable" Star Trek Movies patch cards of much more major characters.

Non-Box/Pack Cards

As with most "modern" trading card releases - certainly the ones from Rittenhouse Archives - not all of the cards needed to make a true master set are available in the boxes of these trading cards. In this set, there are only six cards that cannot be found in the boxes. There is the usual promo card which foreshadowed the series release which is common enough to find (P1). There is also a promo card exclusive to the The Star Trek Classic Movies Heroes & Villains trading card binder (P3). The P2 card is a promotional card available only through Non-Sports Update Magazine and it might take a little work to track down (though the magazine offers back issues pretty readily).

There was one other promotional card, which was given away exclusively at the 2011 Philly Non-Sport Show. It remains tough to track down now and, outside its rarity, is nothing particularly special. All four of the promotional cards are landscape oriented and feature two headshots - one hero, one villain.

The remaining cards are the multibox incentive card and the Rittenhouse Rewards cards. For every four boxes of Star Trek Classic Movies Heroes & Villains cards a dealer bought, Rittenhouse Archives provided an A122 Nichelle Nichols as Uhura autograph card. Like most of Rittenhouse’s incentive cards, this autograph card is found sealed in a hard plastic toploader with a gold Rittenhouse Archives seal keeping it inside. This is one of the nicest autograph cards of the set and it is easy to see why Rittenhouse Archives held it back for an incentive card!

The final card in the Star Trek Classic Movies Heroes & Villains set is the Rittenhouse Rewards card. Rittenhouse Rewards cards are exclusive cards that fans can get by sending wrappers from any sets in to Rittenhouse to redeem for cards not otherwise available. For this set, Rittenhouse produced a tenth Star Trek: The Motion Picture hero card of Admiral James T. Kirk. The Rittenhouse Rewards card is essentially an additional common card, which builds the common set up to an odd 55 cards. The Rittenhouse Rewards card is not individually numbered, like the common cards and it is utterly unremarkable and strangely uninteresting for a hard-to-find incentive card.

Overall

Ultimately, the Star Trek Classic Movies Heroes & Villains fills in the gaps and expands the existing Star Trek movie sets . . . but it was hardly necessary. Sadly, the mundane and ill-executed nature of the Star Trek Classic Movies Heroes & Villains makes it feel like the set is a dump of material that was planned for earlier releases that just was not returned in time.

This set culls images from all ten of the classic Star Trek Movies, reviewed here!

For other Star Trek movie trading cards, please be sure to visit my reviews of:
The “Quotable” Star Trek: The Movies
Star Trek Movies In Motion
Star Trek: Nemesis

3.5/10

For other card reviews, please visit my Card Review Index Page for an organized listing!

© 2017 W.L. Swarts. May not be reprinted without permission.
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Thursday, September 8, 2016

The 10 Essential Star Trek Experiences! (Happy Star Trek 50th Anniversary!)

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The Basics: The Star Trek franchise is massive and if one were to try to distill the incredible franchise into ten works, these are the pieces everyone ought to experience!


Happy 50th Anniversary Of Star Trek! Fifty years ago today, Star Trek made its debut on NBC with the episode "The Man Trap" (reviewed here!) and that led to the creation of a massive franchise set in a common fictional universe's 22nd, 23rd, and (most significantly) 24th Centuries. To celebrate the Star Trek franchise, I thought it was the perfect time to explore just why so many people have fallen in love with the Star Trek universe. I have been a Trekker for more than twenty-five years and celebrating the 50th Anniversary of Star Trek is a pretty big holiday in my household.

In celebrating the 50th Anniversary of Star Trek, I decided to contemplate the entire franchise and all of the varied experiences I have had with watching, reading and otherwise studying the Star Trek franchise. I got to thinking about what was essential in the Star Trek franchise and I thought I'd give the answer the classic "desert island" question. In trying to winnow down the massive Star Trek franchise down to only ten items, I had to make some very difficult cuts. The incredible Star Trek: Deep Space Nine episode "Hard Time" (reviewed here!) was a tough cut to make, as was the brilliant two-part Star Trek: The Next Generation episodes "Chain Of Command" (reviewed here!) and "Chain Of Command, Part II" (reviewed here!) had an insular subplot that non-fans would just not appreciate, despite its absolutely essential anti-torture message.

After all of the cuts and contemplation, after fifty years of all things Star Trek, the ten absolute essential Star Trek experiences are:

10. "The Measure Of A Man" (reviewed here!) - What Is It? An early second season episode of Star Trek: The Next Generation, "The Measure Of A Man" finds the Enterprise docking at a starbase on the frontier where a scientist comes aboard to take custody of the ship's android officer, Data. Dr. Bruce Maddox wants to experiment upon Data and when the incredibly intelligent android doubts the scientist's methods and balks at the proposed experiments, Data attempts to assert his bodily autonomy. Maddox presses the issue and Data resigns from StarFleet in order to protect his life, which leads Maddox to assert that as a sentient machine, Data is property, not a person. What follows is a court case where Data's right to self-determination is decided.

Why Is It Essential? "The Measure Of A Man" is a strong ethical argument that holds up incredibly well. There is a lot of Star Trek that did not age well and "The Measure Of A Man" has moments of melodrama between Captain Picard and the officer representing the Judge Advocate General that play poorly, but they are not enough to rob the episode of its vitality. Instead, "The Measure Of A Man" has great character conflict and an ethical dilemma that successfully explores the ramifications of having ethics. The struggle between Data and Maddox is not about resolving a simple conflict; it leads to an argument about what comes next, what the ramifications are of devaluing life.

9. "The Survivors" (reviewed here!) - What Is It? An early episode of the third season of Star Trek The Next Generation, "The Survivors" has the Enterprise arriving at a colony world that was attacked and the entire world's population was wiped out. While investigating the destruction, the Enterprise discovers one family and their property have survived entirely unscathed. The mystery of how and why they survived perplexes the Enterprise crew and the mystery is intensified by a psychic attack upon Counselor Troi. As Captain Picard investigates the loving couple who survived a planetary genocide, he uncovers a horrific truth.

Why Is It Essential? No one else would probably find "The Survivors" essential, but it is truly an immaculate work of what Star Trek stands for. "The Survivors" explores the nature of guilt and consequence, it is a profound statement on love and the grief that plays out exceptionally well, time after time. "The Survivors" puts Picard at the mercy of someone he does not understand and his final statement to Kevin Uxbridge is a simple, eloquent moment where Patrick Stewart adds an entirely new dimension to Captain Picard with his delivery. After so many episodes of Star Trek and Star Trek The Next Generation where StarFleet seems virtually invincible and the sole occupant of the moral high ground, "The Survivors" redefines StarFleet's jurisdiction and there is a brilliance to the episode's simplicity and it's contrasting moral sophistication.

8. "Mirror, Mirror" (reviewed here!) - What Is It? In the second season of Star Trek, four members of the Enterprise crew teleport through an ion storm and end up in an alternate universe. There, they find that they are part of a warship that is set to wipe out an entire planet's population to eliminate the roadblock to strip mining the planet. With the ion storm dissipating, which will prevent the crewmembers from returning to their native universe, Captain Kirk risks his life to take a moral stand to prevent the genocide of the Halkan people. With assassins threatening Kirk and the others, Captain Kirk allies with his counterpart's partner to use reason and an alien weapon to delay the destruction he has been ordered to carry out.

Why Is It Essential? Star Trek managed to take a basic science fiction premise like multiverse theory and do something more than just give Spock a goatee (though it does that, too!). "Mirror, Mirror" is an episode that seems like a simple gimmick episode, but it is both character-driven and portrays a higher sense of ethics. "Mirror, Mirror" is pretty much the gold standard for multiverse episodes not only for the way it spends time with Captain Kirk and his team in the Mirror Universe, but for Spock's explanation for why their counterparts absolutely failed to integrate when they were beamed up to the Enterprise. There are not a lot of episodes of the original Star Trek that manage to use the entire ensemble cast (despite the mythology, only Star Trek only had three stars in the opening credits and the episodes were very heavily biased toward Captain Kirk and Mr. Spock); "Mirror, Mirror" is, arguably, the best to showcase the acting talents of the entire cast.

7. "Frame Of Mind" (reviewed here!) - What Is It? In the sixth season of Star Trek The Next Generation, Commander Will Riker is sent on a mission to a planet where he is wounded and ends up in an insane asylum. Prior to the mission, Riker had been involved in performing in a play that was set in an asylum and his sense of reality rapidly begins to break down. As Riker transitions between the play rehearsals and the alien asylum, he struggles with his sense of reality. With his apparent mental breakdown progressing, Riker must choose which reality is real, potentially risking his entire brain and life!

Why Is It Essential? Long before Brannon Braga absolutely gutted the Star Trek franchise, he wrote some masterful episodes of science fiction television. "Frame Of Mind" was his creative peak and Jonathan Frakes used it as an opportunity to act the hell out of it. Not at all about the reversal at the end, "Frame Of Mind" is incredible for the process, the thrill of discovery. And Jonathan Frakes dominates on the acting front. Sure, there is more to a great hour of television than an amazing performance, but seriously, Jonathan Frakes is that good as Riker transitioning between the two very different realities and making those transitions have an effect on his character.

6. Imzadi By Peter David (reviewed here!) - What Is It? Opening in the future, Admiral Riker is a miserable old man, crushed by the weight of losing one true love, Deanna Troi. Set in the future, the past when a young Will Riker met Deanna Troi, and the present when the U.S.S. Enterprise is on a mission that costs Troi her life, Imzadi becomes a time travel adventure as Admiral Riker decides to violate all of the rules of time travel by going back to save Troi's life. Pursued by authorities from his own time, Admiral Riker risks everything to change reality out of his sense of loss and love.

Why Is It Essential? No one writing Star Trek novels before Peter David looked at the episodic, unrelated, episodes in the franchise and managed to tie them together with plots, references and asides like Peter David. Imzadi is funny and tragic and clever in a way that endures as only great literature can. Intricate and character-driven, Imzadi effectively explores the depths of love and loss in a time-travel adventure that transcends pulp fiction. Indeed, when the greatest flaw a book possesses is that it gets a character's middle name wrong (Riker says his middle name is "Tiberius;" when Peter David wrote the novel, Riker had been referred to in the show as William T. Riker, it wasn't until years after the book was published that an episode defined the "T" as "Thomas"), you have a bona fide masterpiece. Imzadi is the gold standard for what a writer can do when not bound by a television budget for sets, make-up, special effects, and guest actors. Peter David writes a work that is appropriately complex and clever, with a narrative voice that entertains even as it drives the reader to empathize.

5. "A Piece Of The Action" (reviewed here!) - What Is It? Late in the second season of Star Trek, the U.S.S. Enterprise visited the planet Iotia. Iotia was once visited by another starship and now, years later, the Enterprise crew is horrified to learn that the entire planet has modeled itself off of Chicago Mobs of the 1920s. When Kirk and Spock are taken hostage, a caper ensues with their escape, rescue, and capture by rival gangs. In trying to stay alive, Captain Kirk has to try to put the societal evolution of the planet back on its natural course.

Why Is It Essential? Science fiction can work amazingly well when it utilizes humor and "A Piece Of The Action" is an excellent example of that. After a season and a half of Captain Kirk and his crew spouting the Federation's non-interference directive (the Prime Directive), the viewer is treated to seeing why the Prime Directive is important. The result of interfering with the natural evolution of a society is presented with humor and menace and "A Piece Of The Action" manages to find the right balance of it. Like "Mirror, Mirror," it utilizes the ensemble cast well and it is an episode that allowed William Shatner to go wild with his performance of Captain Kirk and have the occassional over-the-top nature of his acting not at all detract from the episode.

4. Star Trek II: The Wrath Of Khan / Star Trek III: The Search For Spock (reviewed here! and here!) - What Is It? The two movies, viewed together, open with an aging Admiral Kirk feeling unsatisfied with life, wondering what his purpose in life is after being promoted out of being a starship Captain. Admiral Kirk accompanies Captain Spock and the Enterprise, crewed by cadets, on a training mission. While on the mission, a research outpost contacts the Enterprise with a crisis; a starship they work with is coming to take a potentially dangerous scientific device without authorization. The Enterprise rushes to help only to discover that the U.S.S. Reliant has been hijacked by one of Kirk's old enemies. In trying to stop a man who is smarter, stronger, and more dangerous than the Enterprise crew, Captain Kirk finds his sense of purpose, but loses his closest friend. In the aftermath of tragedy, Captain Kirk and his friends struggle to save Dr. McCoy and Spock's lives, risking their careers and lives against a new, vicious adversary.

Why Is It Essential? Technically, it is a cheat as they are two movies, but they actually hold up much better playing off one another to make one solid narrative. Plus, Star Trek III: The Search For Spock was Leonard Nimoy's directorial debut and Christopher Lloyd never gets enough credit for his portrayal of Klingon Commander Kruge. Aging and obsession are masterfully presented with a strong character-driven narrative and the full cast illustrates the depths of their character in a powerful story about loyalty. There is a reason Star Trek II: The Wrath Of Khan is considered a classic . . . and it's not just Ricardo Montalban's bare chest. Star Trek II: The Wrath Of Khan and Star Trek III: The Search For Spock find the absolute right balance between action, character complexities, and ethical dilemmas.

3. "The Inner Light" (reviewed here!)- What Is It? At the end of the fifth season of Star Trek: The Next Generation, the Enterprise encounters an alien probe that knocks Captain Picard unconscious. While his body lies unconscious on the Bridge, fed a stream of data from the probe, Captain Picard wakes up on an alien planet. He is told his name is Kamin by his wife and that he lives on the planet Kataan. After years of rejecting what appears to be the truth, Kamin accepts that the time he recalled aboard the Enterprise as Picard was a fever delusion and he starts a family and studies the environment to discover that Kataan is on the verge of a devastating climate change.

Why Is It Essential? It takes a lot to make a story that is insular to a character that is also incredible to viewers who are not invested in that character; "The Inner Light" finds that perfect spot. Fans of Star Trek The Next Generation were used to Captain Picard as a somewhat emotionally-withheld character who disliked children and was never in a successful romantic relationship. "The Inner Light" completely redefines the character and is a brilliant exploration of "the road not taken." "The Inner Light" effectively explores how, given a chance, a person can completely redefine themselves and create a life that is unexpectedly satisfying. "The Inner Light" is a Patrick Stewart performance that absolutely captivates the viewer and the guest cast that surrounds Stewart is surprisingly impressive, rising to his caliber. "The Inner Light" uses a minimal science fiction concept to explore real character drama.

2. "The Visitor" (reviewed here!) - What Is It? The fourth season of Star Trek: Deep Space Nine shifted immediately from its burgeoning war story arc to a powerful character-driven piece with "The Visitor," which focused on Jake Sisko. Opening in the distant future, Jake Sisko is a writer living in seclusion when he is sought out by an aspiring writer. Jake tells the story of how he became a writer and why he stopped writing; he lost his father. But when Benjamin Sisko was lost, so many years ago, he did not simply die. As the grieving Jake Sisko tried to move on with his life, his father would appear periodically, apparently trapped in another dimension. Guided by grief, Jake gives up his promising career to study subspace physics in a desperate search to find a way to recover his father . . . a pursuit that takes him his entire adult life.

Why Is It Essential? This is the ultimate Star Trek franchise tearjerker. "The Visitor" is a love story and it is a profound statement on the importance of having a loving parent. "The Visitor" is a great example of a powerful character study that has a universal message that makes incredible use of a minor science fiction conceit to reveal something deep and true. More could be said about "The Visitor," but it might be the greatest Star Trek experience worth experiencing rather than analyzing.

1. "Duet" (reviewed here!) - What Is It? The penultimate episode of the first season of Star Trek: Deep Space Nine finds an alien ship visiting the station with a Cardassian who requires medication. The need for the medication instantly draws the attention of First Officer Kira Nerys, who claims that for the Cardassian to need the medication he must have been at the site of one of the most horrific examples of genocide during the Cardassian Occupation. Kira imprisons the Cardassian and as tensions arise outside the station about the legality of the Cardassian's detainment, the crew works to confirm the Cardassian's identity. Kira has either imprisoned an innocent Cardassian filing clerk . . . or one of the greatest war criminals of the Occupation.

Why Is It Essential? It is virtually impossible to make a compelling hour of television where the bulk of it is two people simply talking to one another. The idea of creating an episode of Star Trek where the plot action is a prisoner identification seems like a recipe for boredom and disaster. Star Trek Deep Space Nine not only makes it work, but it creates a truly brilliant episode. Nana Visitor and Harris Yulin play off one another immaculately and their banter is a writer's dream. "Duet" is essentially an allegory episode that explores (in metaphorical terms) the effects of the Holocaust and the idea of national culpability. And, on the opposite side, "Duet" is a knock-out episode that defines Kira Nerys; a woman who has been fueled by racism and anger who is forced to look at a man she perceives as an enemy in an entirely different way. The emotional journey is intense, viewing after viewing. Like all of the best moments in the Star Trek franchise, "Duet" is smart, well-performed, character-driven and blends social commentary with a statement that reveals something profoundly important and human.

For other Star Trek articles, please visit:
The Top Ten Episodes Of Star Trek
The Top Ten Episodes Of Star Trek The Next Generation
The Top Ten Episodes Of Star Trek Deep Space Nine
The Top Ten Episodes Of Star Trek Voyager
The Top Ten Episodes Of Star Trek Enterprise

For other Star Trek reviews, please visit my Star Trek Review Index Page!

© 2016 W.L. Swarts. May not be reprinted without permission.
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Wednesday, August 27, 2014

Collectible And Cool, The “Quotable” Star Trek: The Movies Trading Cards Retain Value!


The Good: Cool (if repetitive) chase cards, Some awesome signers, Patch cards are neat
The Bad: Lack of continuity with prior sets, Autograph numbering issue, Later movie quotes
The Basics: Still worth hunting down, The "Quotable" Star Trek: The Movies cards are a confounding mix of wonderful and troublesome for collectors and fans.


As a Star Trek fan and a trading card collector, I have become quite the fan of Rittenhouse Archives. Rittenhouse Archives is the manufacturer of Star Trek trading cards and they have served the license fairly well throughout their fifteen years of producing Star Trek trading cards. The company has weathered the recession well and the staff continues to be collector-friendly, even if some of their products have made it very hard for a decent number of collectors to continue collecting (at this point in Star Trek trading card collecting, there are only five possible master sets for Star Trek card collectors!). For as wonderful as the company is, sometimes the execution of their ideas results in a more mixed result than they might have intended. Perhaps one of the best examples of that is the "Quotable" Star Trek The Movies set.

The "Quotable" Star Trek The Movies follows in the tradition and concept of Rittenhouse Archives' previous "Quotable" Star Trek sets, but as the fourth “Quotable” Star Trek set is hampered by weird problems that make it a harder sell than it should have been. In fact, the “Quotable” Star Trek: The Movies does a better job of continuing the movie-themed sets begun with the Complete Star Trek: The Movies (reviewed here!) and continued with the Star Trek Movies In Motion (reviewed here!) than it does creating a compelling “Quotable” set. Even so, many of the bonus sets are cool enough to make the “Quotable” Star Trek The Movies set well worth hunting down and the bulk of the cards make it an enjoyable set.

Basics/Set Composition

The "Quotable" Star Trek The Movies was the fifth set of cards that focused on the cinematic Star Trek produced by Rittenhouse Archives. Properly assembled, the set is a collection of 171 trading cards and there is an official The "Quotable" Star Trek The Movies binder from Rittenhouse. All but eight of the cards are available in boxes of The "Quotable" Star Trek The Movies cards, making it one of the sets that is a bit easier to collect (and have fun doing so). Produced before one had to buy dozens of cases to make a master set, fans, collectors and dealers were generally able to succeed at assembling the set with six cases, a binder and hunting down a few promotional cards. The cards were originally released in boxes that contained twenty-four packs of five cards each. Boxes tended to run in the $60 - $75 range and guaranteed one common set and three autograph cards per box.

Collation in the The "Quotable" Star Trek The Movies set was remarkably good. To complete a true master set of The "Quotable" Star Trek The Movies cards, collectors had to purchase at least six cases of the cards, as there were two multi-case incentive cards. As well, there were promotional cards that were not available in boxes or cases and there was one card that was only available through Rittenhouse Archives' Rittenhouse Rewards program (though it was inexpensive in its wrapper cost). In other words, there was quite a lot packed into these boxes of trading cards, which has helped the boxes to retain their value over the years.

Common Cards

The common card set consists of 90 trading cards, which are printed on standard cardstock and have a glossy UV resistant coating. The ninety card reduced set actually works well for the film set as there were ten films and the nine cards per movie makes it easy to place the set in a sensible way within the binder of cards. With 90 cards, Rittenhouse Archives caters to putting the cards in binders as the binders have standard nine-card pages.

The ninety card common set focuses on the memorable quotes from the Star Trek movies (the first ten before the reboot). The big reason for the issues with the “Quotable” Star Trek: The Movies set is that Rittenhouse Archives had already mined the films for some of the key materials used here. The SkyBox Star Trek: Insurrection set (reviewed here!) included quotable cards in its common set, as did the Rittenhouse Archives Star Trek: Nemesis set (reviewed here!). Teased in the Star Trek Movies In Motion set as a bonus card set, the “Quotable” Star Trek The Movies set misses out on a number of good quotes simply because they have already been done before. Star Trek: Insurrection might suffer the most in this set as Rittenhouse was forced to use a few lame quips from Riker from the battle sequence (card 80, for example, is hardly memorable, quotable Star Trek lines!). That Rittenhouse Archives had already mined some of the most interesting quotes before committing to produce this set undermined it a little bit.

Also undermining the set is the orientation. I get what Rittenhouse Archives was trying to do by changing the orientation of the “Quotable” Star Trek The Movies cards from a portrait to a landscape orientation; they wanted to make the images more of a “widescreen” format and spread the text out. Unfortunately, though, that does not fit with any of the other four “Quotable” sets (there was a “Quotable” Star Trek: Voyager set that followed this set). The common cards look decent, but not consistent with the rest of the “Quotable” Star Trek cards. The "Quotable" Star Trek The Movies set utilizes many images that are not the typical ones seen over and over again, making for a visually interesting set that features both the main cast and some of the significant supporting characters/villains from the films. With different quotes on the front than on the back, collectors and fans are treated to two different quotes per card, netting 180 quotes for the 90 card set!

Collation on this set was excellent, so the common sets averaged one and a half per box, which was good for collectors. With only 6000 boxes of “Quotable” Star Trek The Movies cards, this might be the least-common “Quotable” Star Trek common set!

Chase Cards

There are eighty-one chase cards in The "Quotable" Star Trek The Movies set, with seventy-three found in the boxes of cards and the remaining eight available outside the boxes and packs. The bonus cards that can be found within the boxes were the Women Of Star Trek Movies Expansion, Star Trek Bridge Crew: Transitions, Star Trek Movie Poster cards, Star Trek: The Motion Picture Bridge Crew patch cards and autographs. For some baffling reason, there was no checklist for this set within the packs. This is awkward mostly because several of the autographs are not consecutively numbered (see below), so those picking these cards up and not utilizing an online checklist might be left baffled or hunting cards that do not go to this set. Noticeably lacking from the “Quotable” Star Trek The Movies set are TV Guide Cover Cards (believe it or not, many of the Star Trek movies have made the cover of TV Guide, so it’s not a ridiculous assertion that there should have been a TV Guide Cover card set to maintain continuity in this set!) and StarFleet’s Finest cards (which could have featured the cinematic renditions of the characters from Star Trek and/or Star Trek: The Next Generation). For those not concerned with conceptual continuity, this is not a big deal. There are also no “Quotable” style movie autograph cards, which is fine considering how all of the main cast has done autograph cards before (or since) in that style.

The most common bonus cards in this set were the Women Of Star Trek Movies Expansion cards. These were nine cards that continued the common card set of the Women Of Star Trek cards with the missing significant women from the films. Found one in every six packs, these cards have remained ridiculously inexpensive, despite taking three boxes to complete a set (largely because they are essentially bonus common cards for a different set).

At two per box were the Star Trek Bridge Crew: Transitions set. On the front of each card is a main cast member from the original Star Trek and a central picture of them as they appeared in Star Trek: The Motion Picture. Rather than rehashing how their character changed between the television show and the movies, the backs come together to form a nine-card mural of the cast of Star Trek: The Motion Picture on the bridge of the Enterprise. These cards are, unfortunately, more rare than they are valuable, given that they are fairly simple and it does take five boxes to complete a set.

Also two per box were the Star Trek Movies Poster Cards. Given that the Cinema 2000 set (reviewed here!) had already done nine of the ten movie posters, Rittenhouse Archives could have made a terrible mistake with this bonus set (which, frankly, is one of the most sensible bonus sets for a movie-based trading card set!). Instead of doing a carbon copy of the Cinema 2000’s movie poster set, the “Quotable” Star Trek: The Movies cards feature movie poster cards that are acetate cards! These translucent cards have the movie posters silk-screened onto them and they look awesome and distinctive as a result. While I, personally, would have loved some variants with these cards in the form of the promo posters released for the Star Trek movies (it’s hard not to laugh today seeing the promo poster for Star Trek V: The Final Frontier with its chair and tagline “Why are they putting seatbelts in theaters this summer?” [to which those who hated the film laughingly respond now “to keep people from walking out of the movie!”]) or some of the international movie posters (Star Trek: Insurrection, for example, had a far more distinctive and original international poster than the U.S. release) for the bonus set, Rittenhouse Archives made a solid chase set with the standard movie posters as the subjects of this card set.

One of the most valuable bonus sets in the “Quotable” Star Trek: The Movies cards were the Star Trek: The Motion Picture Bridge Crew Patch Cards. Individually numbered to 250, the nine badge cards feature insignia patches made for Rittenhouse Archives for the set for all nine of the main Star Trek characters (including Rand and Chapel) for Star Trek: The Motion Picture. Star Trek: The Motion Picture might not be the most popular or incredible film, but this chase set is incredibly well-rendered with nice images and very cool patches. This is a nice variant of the costume card concept.

Then there are the autograph cards. The “Quotable” Star Trek: The Movies autographs continue the form and numbering for the autographs begun with the Complete Star Trek Movies cards and continued in the Star Trek Movies In Motion. These full-bleed autograph cards with the purple line at the bottom and the backs that have blue and purple frame are consistent with the past releases. As well, the “Quotable” Star Trek: The Movies cards continue the Star Trek: Generations character autographs as they appeared in the film’s first scene on the sailing ship with Gates McFadden and LeVar Burton. If the other bonus sets are biased toward the original Star Trek’s cast (two of the four bonus sets focus on Star Trek: The Motion Picture), the valuable autographs are exclusively focused on the Star Trek: The Next Generation cast. In addition to McFadden and Burton, Brent Spiner, Jonathan Frakes and Michael Dorn signed for the “Quotable” Star Trek: The Movies set, though the other three do not feature the characters in their Star Trek: Generations naval outfits which is somewhat unfortunate, as it would have been cool to get the entire cast as they appeared that way. Perhaps the most significant Star Trek actor to sign was John Winston, who was actually Lt. Kyle in eleven episodes of Star Trek. While exceptionally popular actors John Larroquette (who I was most psyched to see signing for this set!), Kim Cattrall and Kurtwood Smith signed for this set, arguably the most valuable autograph is the very limited Rex Holman autograph. Holman played J’Onn in Star Trek V: The Final Frontier and that he signed between two and three hundred cards makes it valuable by default. The autograph collection in this set fills in prior gaps – A56 and A59 were missing from the Star Trek Movies In Motion set – but also somewhat ridiculously makes new gaps (A107 and A111 are missing from this set, but are included in the subsequent Premium Pack set!). Even so, this set has a decent collection of signers from the famous to the obscure (only the die-hard fans will feel the need to hunt down Jon Kamal Rashad or Jeff Lester’s autographs if they do not pull them in their boxes!) that maintains the continuity of the movie sets well.

Non-Box/Pack Cards

As with most "modern" trading card releases - certainly the ones from Rittenhouse Archives - not all of the cards needed to make a true master set are available in the boxes of these trading cards. In this set, there are only eight cards that cannot be found in the boxes. There is the usual promo card which foreshadowed the series release which is common enough to find (P1). There is also a promo card exclusive to the The "Quotable" Star Trek The Movies trading card binder (P3). The P2 card is a promotional card available only through Non-Sports Update Magazine and it might take a little work to track down (though the magazine offers back issues pretty readily).

There was one other promotional card, which was exclusive to Facebook. Having worked to track this particular card down for the past few weeks, I can attest that it is annoyingly hard to find now in the secondary market (if not damn near impossible!). It is a simple-enough promotional card that features the Borg Queen and the usual catch phrase from the Borg. Ironically, all four promotional cards feature the traditional “Quotable” portrait orientation for the pictures and quotes.

The remaining cards are the casetopper, two multicase incentive cards, and the Rittenhouse Rewards cards. The casetopper is a simple costume card of Data’s invisibility suit from Star Trek: Insurrection and this follows the format of the costume cards from the Complete Star Trek Movies set. It might seem odd that there is a gap between the sets for this style of bonus card (Star Trek Movies In Motion did not have any costume cards), but the card looks good and is consistent. The only inconsistency is the numbering on the back. As opposed to the prior costume cards in this style which featured a foil-stamped collector’s number, the MC17 is hand-numbered out of 775.

The grails of the set are the multicase incentive cards. For every three cases of “Quotable” Star Trek The Movies cards a dealer bought, Rittenhouse Archives provided an A96 Michael Dorn as Colonel Worf autographed trading card. Like most of Rittenhouse’s incentive cards, this autograph card is found sealed in a hard plastic toploader with a gold Rittenhouse Archives seal keeping it inside.

The six-case incentive card was an autographed Brent Spiner costume card. This is a very neat concept and it is well executed here, with Brent Spiner’s autograph on a card very similar to the casetopper card – the costume swatch is the Invisibility Suit again. The 6-case incentive card is hand-numbered out of 200, so this is the most enduringly valuable card in the set.
The final card in the “Quotable” Star Trek: The Movies set is the Rittenhouse Rewards card. Rittenhouse Rewards cards are exclusive cards that fans can get by sending wrappers from any sets in to Rittenhouse to redeem for cards not otherwise available. For this set, Rittenhouse produced a tenth Star Trek: The Motion Picture Transitions card. The final Transitions card is the U.S.S. Enterprise. The cinematic Enterprise is an interesting, if obscure, subject for the Transitions cards, but it has become sought-after by those wanting a true, complete set and it looks good (though the back, obviously, cannot, fit into the mural that the other cards formed).

Overall

The “Quotable” Star Trek Movies cards are a worthwhile investment and a neat set for those who love the Star Trek feature films and trading card collecting. Rittenhouse Archives made a solid set with this one and it’s not so pricy as to be stifling to collect even now. The cards look good, the autographs have decent value and the other bonus cards are neat . . . even if they do not completely fit the other “Quotable” sets.

This set culls images from all ten of the Star Trek Movies, reviewed here!

This set of trading cards is available in my online store! Please check out my current inventory at The “Quotable” Star Trek: The Movies Trading Card Inventory!

For other “Quotable” Star Trek trading cards, please be sure to visit my reviews of:
The “Quotable” Star Trek
The “Quotable” Star Trek: The Next Generation
The “Quotable” Star Trek: Deep Space Nine

6.5/10

For other card reviews, please visit my Card Review Index Page for an organized listing!

© 2014 W.L. Swarts. May not be reprinted without permission.
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Monday, February 24, 2014

Inverse Into Darkness: “The Augments” Closes The Arc Well!


The Good: Decent acting, Moments of character, Plot moves along well
The Bad: Some continuity issues, Somewhat predictable plot development/twists
The Basics: The Star Trek: Enterprise arc featuring “The Augments” ends with the enemy attacking the Klingons to precipitate a war that will bring them breathing room.


With there being so much disappointment from fans over last year’s Star Trek Into Darkness (reviewed here!), one of the surprises was how few complaints came up relative to Star Trek: Enterprise. Combining a plotline with Augments and Klingons was something that had already happened in Star Trek: Enterprise. “The Augments” is an episode of Star Trek: Enterprise that would have been unaltered by the timeline change in Star Trek Into Darkness and thus should have been referenced, at the very least.

There is no way to discuss “The Augments” without revealing details from “Borderland” (reviewed here!) and “Cold Station 12” (reviewed here!), as “The Augments” is the third part of the story arc. The episode also makes an explicit reference to Kahn Noonien Singh and the Botany Bay from “Space Seed” (reviewed here!), which opens a small can of worms for fans; in “Cold Station 12” Archer has explicit genetic records of individual Augments, but Soong says records were destroyed. It seems pretty ridiculous that records of individual heritage would survive, but records pertaining to the creation and launch of a ship would be so thoroughly destroyed.

With the controls in Cold Station 12 about to go offline, releasing deadly pathogens throughout, and the Augments escaped in their stolen Klingon Bird Of Prey, Archer finds himself in a dire situation. Blowing himself out into space so that the transporter can be used before the pathogens are released, Archer is wounded but escapes Cold Station 12. Catching up to the Augments, Soong keeps the Enterprise at bay by dropping the Denobulan shuttle it stole into the atmosphere of a nearby planet, forcing them to rescue the Denobulans. As Soong works to modify the genes of the Augment fetuses, Malik becomes much more aggressive.

When Malik menaces a nearby Klingon colony with the biological plagues he took from Cold Station 12, Soong is effectively deposed. Archer bluffs his way into Klingon space in order to pursue the Augments. Aided by Persis, Soong escapes the Klingon ship and when he is recovered by the Enterprise, he lets Archer know about the plagues stolen by Malik. As the Enterprise pursues Malik’s ship, Malik turns on Persis, killing her for her betrayal.

“The Augments” has Trip and T’Pol actually wrestling with the consequences of T’Pol marrying in “Home” (reviewed here!). Tucker reluctantly admits he is proud of T’Pol and seeing him swallow his feelings is somewhat hearbreaking. T’Pol, for her part, presents a more logical front than she did during pretty much the entire third season. The return of a dispassionate Vulcan plays well against the emotionalism that Malik presents as the episode’s primary adversary.

The episode has some charm in it with Archer bluffing the Klingon vessel. Archer thinks on his feet in the way viewers expect a StarFleet Captain to. As well, Arik Soong finally illustrates well the humanity he is alluded to having. Soong is desperate to undo the negative perception of Augments while at the same time pursuing the research of the geneticists who precipitated the Eugenics Wars. In “The Augments,” Dr. Soong lives up to his potential as an ethical scientist who does not want to cause unnecessary loss of life. Moreover, here he finally tries to rewrite the bad genetic code left over from the Eugenics Wars. That plays well to the character and the continuity.

The acting in “The Augments” is universally good. Brent Spiner shines as Dr. Soong and he brings a little more depth to a guest character. Spiner manages to infuse an undertone of desperation into many of Soong’s lines and that makes the character seem more like a misguided man trying to make good than a legitimate villain. At the other end of the spectrum is Alec Newman as Malik. Newman is almost constantly angry, which fits that character wonderfully. Malik is the natural successor to Khan and Newman plays him like a young version of that villain, which plays perfectly for the character.

Despite the decent aspects, “The Augments” is still pretty light on character development. The episode is more plot-based and struggling to resolve the prior two episodes than it is concerned with growing any of the characters from Star Trek: Enterprise. The episode is entertaining (the nod to Khan’s death near the end of the episode is fun for the fans!), but it lacks resonance in that it is devoid of larger themes to make the episode mean anything to anyone who was not already a fan of the series.

The three biggest gaffes in “The Augments:”
3. Fooling the Klingons with a phony warp signature is a technique not developed until Star Trek: The Next Generation,
2. Dr. Soong takes the Augments toward the Briar Patch, which was in Star Trek: Insurrection (reviewed here!). Given that the Son’a are a force in the Dominion War and how far away the war front is from the core of Federation space, the Briar Patch should not be anywhere near as close to Earth or Klingon Space as it is in “The Augments,”
1. Dr. Soong was aboard a Klingon Bird Of Prey and its wreckage could easily have been salvaged and returned to StarFleet space. As a result, there is absolutely no good reason why StarFleet would not have recovered it or employed Soong to provide them with the tactical information he gleaned from the vessel and thus know how to read Klingon controls long before Star Trek IV: The Voyage Home (reviewed here!).

[Knowing that single episodes are an inefficient way to get episodes, it's worth looking into Star Trek: Enterprise - The Complete Fourth Season on DVD or Blu-Ray, which is also a better economical choice than buying individual episodes. Read my review of the final season here!
Thanks!]

For other works with Richard Riehle, please visit my reviews of:
Girl Meets Boy
Bridesmaids
Bandits
Aaah! Zombies!!
Office Space
"Spirit Folk" - Star Trek: Voyager
"Fair Haven" - Star Trek: Voyager
“Becoming, Part I” - Buffy The Vampire Slayer
“The Inner Light” - Star Trek: The Next Generation

7/10

For other Star Trek episode and movie reviews, please visit my Star Trek Review Index Page!

© 2014 W.L. Swarts. May not be reprinted without permission.
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Wednesday, February 19, 2014

Reworking The Prequel Well, “Cold Station 12” Continues The Augment Arc!


The Good: Good acting, Engaging story, Decent special effects
The Bad: Irksome flaw in Soong’s character, A little light on character development
The Basics: “Cold Station 12” is one of the strongest middle acts in a longer arc of Star Trek: Enterprise and it puts the Enterprise crew in a compelling dilemma.


The fourth season of Star Trek: Enterprise did not take very long to get going with its stated purpose. The show sought in its fourth season to realign Star Trek: Enterprise with the rest of the Star Trek franchise. Almost immediately, the show had an arc that dealt with the genetically-engineered humans, who were left over from Earth’s Eugenics Wars. In the previous series’s in the franchise, the left over genetically-engineered humans were all full-grown and sent away on sleeper ships, unfortunately revived through a mistake hundreds of years later. With the arc that began in “Borderland” (reviewed here!), that is retconned.

Following directly on the events of “Borderland,” “Cold Station 12” has Archer going toe to toe with the Augments. In this case, the Augments are genetically-engineered humans reanimated from fetuses stored after the Eugenics Wars. The existence of Eugenics Wars-era fetuses does not contradict anything previously established in the Star Trek franchise, but it does make it seem strange that Dr. McCoy (at least) would not have been better able to identify Khan when the Enterprise first encountered him in Star Trek.

Opening with a flashback to eleven years prior, where Dr. Erik Soong tells the Augment children of their importance and greatness, the young Malik is excited to learn there are more Augments in the Universe, which Soong tells him the youth must one day rescue. In the present timeline, Soong, having been liberated from the Enterprise by the surviving Augments, charts a plan to rescue the remaining Augments from Cold Station 12. Soong charges Malik with the task of rescuing the Augments without killing any of the humans at Cold Station 12. The Enterprise arrives at the Augment’s colony and there they find Ludar (Smike), a young man who is not an Augment, but is unwilling to help Archer track down the Augments. On the Klingon Bird Of Prey, Malik plays Soong by lying to him about how Raakin died and he confides his distrust of Soong to Persis.

When Tucker realizes that Soong and the Augments took incubators, Archer fears that Soong is going to grow the 1800 remaining Augment embryos to maturity if he can reach Cold Station 12. Archer also learns that Phlox’s associate, Dr. Jeremy Lucas, is now on staff at Cold Station 12. Soong’s Augments hijack a Denobulan ship which they use to gain access to Cold Station 12, where Soong imprisons most of the staff and begins interrogating Dr. Lucas. Soong tortures Lucas as Archer and a team infiltrate Cold Station 12.

“Cold Station 12” might be one of the better episodes of Star Trek: Enterprise, but it has some flaws that are irksome for fans of the larger Star Trek franchise. The first big one is that Dr. Soong is characterized as brilliant, yet he resorts to torture not only once, but twice. Torture has never been a reliable means of gaining information, which Picard notes quite potently in “Chain Of Command, Part 2” (reviewed here!). Soong gets an explicit example of how torture does not work when Malik tortures one of the scientists on Cold Station 12 to death without breaking Dr. Lucas. Yet, he allows Malik to do the exact same thing a second time and expects a different result.

Sadly, Dr. Lucas’s character – which is instantly compelling and smart by how internally strong he is – is diminished when Lucas breaks. Dr. Lucas has to realize that the Augments must not be allowed to leave Cold Station 12 with the fetuses and he ought to have been trained to resist longer. Barring that, why Lucas did not sacrifice himself, his crew, and the fetuses when the facility came under siege is somewhat disappointing. Come to think of it, one of the whole purposes of Star Trek Enterprise was to illustrate how hard life for the early explorers was supposed to be: when the Augments note that another ship might be along soon and be less reasonable than Archer, that is an unfortunate leap on their part; there are no other StarFleet ships as fast as Enterprise or in the area that could realistically menace the Augments. As a result, Lucas should have been more willing (not less) to destroy the facility to prevent the Augments from taking the fetuses.

That said, “Cold Station 12” is a pretty wonderful action-adventure episode of Star Trek: Enterprise. On the character front, Archer starts to illustrate some real characteristics of a traditional Star Trek captain. He treats Smike with compassion and tries to connect with him on a very personal level. He talks about a philosophy, consistent with Roddenberry’s ideals of self-determination, where Smike would not be held accountable for his parents’ crimes. Archer is good in the episode, though Brent Spiner’s Dr. Arik Soong steals the show.

In “Cold Station 12,” Spiner illustrates what viewers might have hoped in “Borderland.” Soong is a villainous idealist, much like a James Bond villain, and in “Cold Station 12,” he plays Erik Soong as a misguided idealist working to correct wrongs of the past with his own philosophy. While that philosophy is ridiculous – Soong seems to think the Augments were merely the product of bad training and poor education as opposed to having a genetic defect that heightened their aggression in addition to their ambition to an unhealthy level, as evidenced by Soong’s failure to correct the genetic problems associated with Khan – it is present. Spiner plays Soong as more smart and desperate than angry and as such there is not a hint in his performance of Lore, which is nice.

Alec Newman also overshadows the performers in the b-plot (T’Pol and Tucker attempt to remotely detonate Cold Station 12 from the Enterprise when Archer’s diplomacy fails) as Malik. One suspects he watched Ricardo Montalban’s performance as Khan to make Malik resonate and the performance works. Newman is a credible Eugenics Wars-type character.

On the continuity front, “Cold Station 12” actually has some clever aspects. Sure, T’Pol is still not in a StarFleet uniform and the transporter is now being used pretty frequently, but writer Alan Brennert actually manages to make something very subtle in the episode. In Star Trek II: The Wrath Of Khan, Saavik quotes a general order to Kirk about having shields up when communications with an approaching StarFleet vessel cannot be established. “Cold Station 12” provides an explicit reason (by inference) for why such a directive would be necessary in the future! That’s pretty smart retconning.

Ultimately, “Cold Station 12” is a fast-paced, relatively smart action-adventure episode that leaves viewers eager for the next episode in the arc!

The three biggest gaffes in “Cold Station 12:”
3. Cold Station 12 has a security parameter that allows the station’s crew to be incapacitated by a gas. In the original Star Trek, in episodes like “Wolf In The Fold” (reviewed here!), no such protocol existed; Spock releasing a gas through the environmental control systems took quite a bit of time and was a serious hassle,
2. Given this incident with Augments and how it would have been part of StarFleet records, Khan should have known about the ability to remote-control StarFleet facilities by Star Trek II: The Wrath Of Khan (reviewed here!). In short, Kirk and Spock’s gambit to drop the Reliant shields should not have worked because Khan should have known that StarFleet vessels and facilities could be destroyed remotely,
1. Archer has quite a bit of specifics for Smike pertaining to the young man’s parents and he notes that they have quite a bit of information on them. This directly contradicts assertions in “Space Seed” (reviewed here!) and other episodes that mention how records from around the Eugenics Wars and World War III were lost and fragmented. As a result, there is no reason Archer should have such records, but Kirk, Picard, etc. would not.

[Knowing that single episodes are an inefficient way to get episodes, it's worth looking into Star Trek: Enterprise - The Complete Fourth Season on DVD or Blu-Ray, which is also a better economical choice than buying individual episodes. Read my review of the final season here!
Thanks!]

For other works with Fernando Chien, please visit my reviews of:
Iron Man 3
Red Dawn
The Mummy: Tomb Of The Dragon Emperor

7.5/10

For other Star Trek episode and movie reviews, please visit my Star Trek Review Index Page!

© 2014 W.L. Swarts. May not be reprinted without permission.
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