Showing posts with label Christopher Lloyd. Show all posts
Showing posts with label Christopher Lloyd. Show all posts

Wednesday, November 9, 2016

One Joke Is Beaten Absolutely To Death In Donald Trump's The Art Of The Deal: The Movie


The Good: Acting is decent, Ron Howard's part is funny
The Bad: Not very funny, No real plot or character development
The Basics: Funny Or Die presented Donald Trump's The Art Of The Deal: The Movie in an attempt to expose Donald Trump as a raging egoist who is more bluster than substance and the film falls far short of ever being clever.


With the election of Donald Trump to the Presidency (I, naively, did not bother watching any of Trump's speeches during the Primary or the Campaign because I figured it was unlikely he would ever become President legally), I figured it was time to watch something about Donald Trump. Rather than go for the literal, I opted to begin with the satirical and tonight I'm taking in Donald Trump's The Art Of The Deal: The Movie. Donald Trump's The Art Of The Deal: The Movie is a fifty minute film that is a parody of the business book that was ghost written for Trump in the 1980s.

Unfortunately, Donald Trump's The Art Of The Deal: The Movie essentially makes one joke over and over again. In Donald Trump's The Art Of The Deal: The Movie, Donald Trump is a self-promoting racist who uses bluster to intimidate others into getting what he wants. Presented as a "found footage" video, Donald Trump's The Art Of The Deal: The Movie has an impressive cast that is woefully underused as they each perform shtick that does not develop beyond the initial premise.

Opening with Ron Howard introducing the never-before-seen television movie from the late 1980s based upon The Art Of The Deal, which was preempted when it was supposed to air and was thought-destroyed. Howard found the video at a garage sale and then plays it for the viewer. In the film, the child steals a copy of The Art Of The Deal and runs into Donald Trump's office. Trump then tells the boy his rules for making deals, amid personal anecdotes of how he made his earliest deals with money from his father and with fights from cultural historians in New York City. Accompanied by his generic Jewish lawyer Jerry Schrager and his Nazi architect Der Scutt, Donald Trump discusses with the ever-changing child how he acquired the Taj Mahal Casino from Merv Griffin.

Johnny Depp leads the cast of Donald Trump's The Art Of The Deal: The Movie as Donald Trump and he nods his head repeatedly and delivers the swagger for the character consistently. But Depp seems much more like he is playing a parody of a parody of Donald Trump, as opposed to mimicking Donald Trump and any specific mannerisms he has. Alfred Molina, Patton Oswalt, Ron Howard, Jack McBrayer, Michaela Watkins, Stephen Merchant and others back up Depp as parodies of people in Trump's life, which allow Depp to deliver lines that characterize the parody of Trump as racist, misogynistic, and stupid. That's fine, but there's no subtlety or finesse to Donald Trump's The Art Of The Deal: The Movie; the portrayal of Trump is never truly clever, so most of the supporting actors steal their respective scenes, even when they have minimal lines because Depp's Trump character has already gotten old within the narrative.

Ultimately, Donald Trump's The Art Of The Deal: The Movie was never going to sway anyone who was a supporter of Donald Trump, but the tragedy of the film is that it fails to entertain those who loathe Trump. The result is a fifty minute timesuck that disappoints.

For other satirical documentaries, please check out my reviews of:
Mascots
Arrested Development
Talladega Nights: The Ricky Bobby Story

2/10

For other movie reviews, please check out my Film Review Index Page for an organized listing!

© 2016 W.L. Swarts. May not be reprinted without permission.
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Thursday, January 1, 2015

Working When It Commits To Its Adult Themes, Who Framed Roger Rabbit Delivers!


The Good: Acting, Animation, Adult plot developments and character motivations
The Bad: Child-oriented jokes and cop-outs, Simplistic moments
The Basics: Attempting to straddle the child and adult themes, Who Framed Roger Rabbit works when it commits to the complexities and might well be the peak of Bob Hoskins’s performances.


As 2015 begins, I find myself catching up with a few things I did not quite get to in 2014. At the top of my list, was writing something in tribute to Bob Hoskins. Hoskins died in April of 2014 and right around the time I found myself with enough time to watch new (to me) movies and write a tribute, Robin Williams died. But, with the possibility of a sequel to Who Framed Roger Rabbit hitting theaters in 2015, I figured that I could start out my new movie reviews of 2015 by rewatching and reviewing Who Framed Roger Rabbit. In fact, Who Framed Roger Rabbit is an exceptional example of the talent Bob Hoskins possessed; given that much of his performance in Who Framed Roger Rabbit forced him to interact with virtual characters (in a time when film was still the medium) and that Hoskins nailed the performance, he was undeniably a genuine talent.

Until tonight, I had not seen Who Framed Roger Rabbit since it aired in theaters. I recall seeing the movie as a child on the big screen, but I never bothered to rewatch it until now. Outside a few blown eyelines, the live-action and animated film holds up remarkably well on the acting front. Occupying a weird niche between noir detective film and a parody of the same, Who Framed Roger Rabbit is, at the very least, a fun flick.

In Hollywood, 1947, Roger Rabbit is the co-star of Baby Herman cartoons, but he keeps blowing his lines. Eddie Valiant is a down-on-his-luck private detective who is called to Maroon Cartoons’ offices by the studio’s owner where he is hired to find out if Roger’s wife, Jessica, is stepping out on him. After paying down his bar tab with half the payment he gets from Maroon, Valiant reluctantly enters the toon underbelly of Los Angeles (reluctant because a toon killed his brother by dropping a piano on him). Valiant follows Jessica Rabbit from the club at which she works to a rendezvous where Marvin Acme . . . where they play pattycake (literally). After taking photographs of the two together, Valiant delivers the evidence to Maroon and Roger Rabbit freaks out. The next morning, Acme is found murdered and Roger Rabbit is the prime suspect.

But a trip to the scene of the crime near Toon Town puts Valiant in contact with the menacing Judge Doom. Judge Doom kills an animated shoe in front of Valiant and soon Baby Herman provides Valiant with a motive for Acme’s murder. Apparently, Acme was going to leave Toon Town to the toons and when Valiant sees that the will which would have turned over the town to the toon actually existed, he finds himself mired in the case. Teaming up with Roger Rabbit, Valiant works to exonerate the rabbit, find the will and stop Judge Doom from unleashing his genocidal Dip on Toon Town!

Who Framed Roger Rabbit is a fun noir-ish film that is based upon a novel, which to be honest, I have not read. But many of the best moments in Who Framed Roger Rabbit have a very literary sense of spark to them. And, like many ‘80s films that are oft-quoted, Who Framed Roger Rabbit has some startlingly memorable lines.

What is perhaps most surprising about Who Framed Roger Rabbit is that it is actually a fairly adult film, mistaken for a kid’s movie because of the film’s unreal characters. Despite having some ridiculous jokes involving competing animated characters (Disney and Warner Bros. characters openly compete in little subplots and side-scenes throughout the film), Who Framed Roger Rabbit has a plot that is given surprisingly adult concepts and motivations. Judge Doom rose to power by buying an election and the conspiracy surrounding the missing will has to do with competing bids and real estate transactions that will go way over the heads of children.

In addition to having character motivations that are not simplistic and a surprisingly dark climax that is fairly terrifying, Who Framed Roger Rabbit is the gold standard for actors who want to work with virtual characters. In addition to Bob Hoskins, Christopher Lloyd is impressive as Judge Doom. While Judge Doom is something of a monolithic evil character, Lloyd brings a quiet menace to the role that is unsettling to watch. His interactions with characters like Roger Rabbit when Roger is vibrating manically are wonderful to watch; he and Hoskins sell the weird reality of Who Framed Roger Rabbit.

Unfortunately, the failure of the film to commit to its more adult themes robs it of perfection. But perfect or not, Bob Hoskins is amazing as he talks to Roger Rabbit with all the emotion and nuance, as if the animated character was actually sitting beside him. Combined with all the jokes and serious moments that actually make for a deep story, Who Framed Roger Rabbit is worth rewatching . . . even if it takes a couple of decades to get around to it!

For other works with Bob Hoskins, be sure to check out my reviews of:
Snow White And The Huntsman
A Christmas Carol
Doomsday
Stay
Hook
Brazil

7.5/10

For other movie reviews, please check out my Film Review Index Page for an organized listing!

© 2015 W.L. Swarts. May not be reprinted without permission.
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Monday, February 3, 2014

Departures And Arrivals Make For A Satisfying Fourth Season Of Modern Family.


The Good: Very funny, Decent performances, Interesting characters
The Bad: The series is becoming somewhat formulaic, Little enduring from the season.
The Basics: Modern Family Season Four is very funny, but little of it sticks with the viewer after the episodes are done.


When it comes to seasons of television, I find that one of the components that matters quite a bit to me when it comes to deciding to purchase a DVD or Blu-Ray boxed set is the season’s rewatchability (which makes quite a bit of sense). In recent years, there have been a few television series that I have enjoyed watching, but that I am not convinced have a timeless quality that makes me want to add them to my permanent collection. Few shows these days are both rewatchable and quotable to the extent that I enjoy watching them over and over again and can foresee doing so for years to come. In fact, only 30 Rock (“I want to go to there!”) and Happy Endings (“Shut your stupid whore mouth!”) come instantly to mind. While Modern Family seems like it would be a natural addition to my collection, especially given how much my wife and I love Frasier (reviewed here!), I remain on the fence about it as a part of my permanent library.

The fourth season of Modern Family is good, but it is not exceptional and while it has heartwarming moments, some of the humor is a bit more predictable than in prior seasons. The characters continue to develop, but the serialized elements in the season are understated – they focus almost entirely on Gloria’s pregnancy, the house that Cam and Claire are trying to flip, and Haley’s departure for and return from college. The season also is notably lacking in exceptional lines that make one feel like the characters and season have been defined. Instead, this feels like largely like a very typical sitcom . . . with performers who are able to get the most out of the average lines. More than in some of the prior seasons, the actors noticeably set up the punchlines, as opposed to them feeling like they come organically. On the flip side, some of the series’ stars truly make their roles look effortless. As always, Ty Burrell, Jesse Tyler Ferguson, and Eric Stonestreet excel at playing their parts and making the season watchable and enjoyable. But, as my wife pointed out after Burrell landed a great deadpan in the Halloween episode, “If he [Ty Burrell] wasn’t on this, I’m not sure it would be worth watching.”

Following the realization that she is pregnant, Gloria struggles to find the best time to tell Jay. When Jay is abducted for his birthday, she finds her moment and she is thrilled when he is happy about the pregnancy. With the Pritchetts planning to make way for their new baby, the Dunphys deal with the emotional departure of Haley. With their oldest daughter headed off to college, Phil and Claire try to find a new balance and that leads Claire and Cameron to team up to restore and flip a house they bought (much to the chagrin of Phil and Mitchell).

But Haley’s absence is shortlived as she gets into trouble in college and leaves after only a few weeks. When she moves back home and has to do community service, the family’s dynamic is restored. With Gloria worried about how Manny will react to having a new brother, Cam and Mitch start teaching Lily about Vietnam . . . which she resists.

In the fourth season of Modern Family, most of the humor is based on deadpan deliveries and quick turns of phrase (“You're the kind of person who can be twice as scary without wearing any makeup.”). The situations in the fourth season are not particularly loaded with inherent humor – Jay sees the woman to whom he lost his virginity while on a trip to Florida and she doesn’t remember him, Phil gets stuck under a motorcycle, Alex tries to get a picture of Haley wherein Haley looks bad – but the show is funny for the lines, though many of those are very specific to the moments they are in (as opposed to usable catchphrases).

In the fourth season of Modern Family, the main characters include:

Jay Pritchett – Who is thrilled on New Year’s Eve to play cards with Billy Dee Williams. He is continually bugged by Phil, works to parent Manny and put up with Gloria’s pregnancy (and her family’s arrival after the baby is born),

Gloria – Goes somewhat crazy while pregnant. Still, she is very concerned about how Manny will go from being an only child to having to share her affections. In fact, it is such a concern to her that she tries to keep the baby, Fulgencio, in when she goes into labor on Manny’s birthday,

Manny – Suave as always, he tries to get a dramatic lead part in the school plays. However, he finds himself upstaged by the least likely source . . . Luke! Still, Manny helps Gloria come to terms with being pregnant and has his first kiss,

Mitch Pritchett – Gets over the prior season’s adoption failure with Cam and starts making new friends, including a lesbian couple whose son has a crush on Lily. He tries to be supportive of Cam with Cam going back to work and with Cam feeling distant from Lily, but finds it tough to keep quiet when Cam and Claire fix up a house they are trying to flip. He acts as lawyer for both Haley and Gloria,

Cameron – Goes back to work, this time as a music teacher. He actually connects with his students incredibly well and he and Mitch have a fun New Year’s out together. He and Mitch turn Lily into an over-competitive gymnast and he becomes obsessed with marrying Lily when Lily maries Mitch first,

Lily – Good for the shocking one-liners, she is growing up and gets into gymnastics. She learns her mother was not a princess and that the tooth fairy does not, traditionally, leave one hundred dollar bills for teeth,

Phil Dunphy – Writes down his Phil-osophies for Haley and continues to practice magic with Luke. Despite bonding with Luke, he seems to recognize that Luke is a budding psychopath. He tries to be a part of Jay’s life and ultimately beats him up at a kid’s birthday party. He gets into a conflict with Gil Thorpe over selling the house Claire and Cam want to flip,

Claire Dunphy – She is bored and takes on the project of flipping a house with Cam, despite them having very different visions on how to accomplish that. She feels vindicated when Haley realizes how hard it is to get respect from the family,

Haley – Goes to college and gets expelled when she falls on a police officer while fleeing a party drunk. She returns home and is distressed to have to share a room with Alex again. She plays the Tooth Fairy and helps Alex learn to flirt,

Alex – She begins to strike out on her own. While everyone is convinced her boyfriend is gay, she believes he is not. She develops a talent for music as part of a small band and helps Haley take care of Luke one night while their parents are out,

And Luke – Goes on his first date, not realizing that Phil and the girl’s mom were doing all the chatting online. He makes a transition from set painter to opera singer in the school play. He re-established order in everyone’s life through acts of revenge when Phil steps into Claire’s shoes and messes things up for all of the family members.

Ultimately, Modern Family Season Four is funny and thoroughly enjoyable when one is watching it, but it is not a season I found myself contemplating at all when it was done. The episodes are amusing and the characters are fun, but it’s hardly a timeless show and the fourth season of Modern Family treads closer to the average than the extraordinary.

For other shows from the 2012 – 2013 season, be sure to check out my reviews of:
The Big Bang Theory - Season Six
30 Rock - Season Seven
Revolution - Season 1
Parenthood - Season 4
Veep - Season 1
Game Of Thrones - Season 3
New Girl - Season 2
Happy Endings - Season 3
The Walking Dead - Season 3
Arrested Development - Season 4
House Of Cards - Season 1
True Blood - Season 5

6/10

For other television reviews, please visit my Movie Review Index Page for an organized listing!

© 2014 W.L. Swarts. May not be reprinted without permission.
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Saturday, December 29, 2012

A Strong Argument Against Sequels: Addams Family Values.


The Good: Effects are decent
The Bad: Poor character development, Mediocre acting, Largely not funny, Banal plot
The Basics: More of the same, Addams Family Values is a lackluster sequel that is utterly unimpressive.


I understand that the early 1990s cinematic renditions of The Addams Family were based on a television series. However, upon watching Addams Family Values, I found myself wondering how the show made it past three episodes. Sadly, by the second film, the Addams Family has pretty much run out of spark and intrigue. In fact, the plot wanders around being a variation on the earlier film The Addams Family (reviewed here!). In Addams Family Values, instead of belaboring whether or not Uncle Fester is the real Uncle Fester, this time Fester is taken from the family by a serial killer who marries him to try to get his fortune.

While the plot might seem like a big difference from the first film, the structure is disturbingly similar. For example, Gomez ends up in jail right around the same time in the film as the Addams Family was locked out of their mansion in the first film. The original aspect in Addams Family Values, a b-plot that has Wednesday and Pugsley, falls flat and is essentially a single non-sequitur joke that is dragged out and repeated for at least half an hour of the ninety-four minute film.

Following the abrupt birth of Pubert Addams to Gomez and Morticia Addams, their children Wednesday and Puglsey believe that either Pubert or Pusgley must die (after all, they only need one boy child). Corrected by Gomez, Wednesday and Pugsley just begin repeated attempts to kill the baby with a guillotine, dropping from excessive heights, etc. To help the parents deal with the children, Morticia and Gomez hire Debbie Jellinsky.

Debbie keeps Pubert alive and almost immediately sets her sights on Uncle Fester. Debbie gets rid of Wednesday and Puglsley by telling their parents that they have a secret desire to go to summer camp. Confined to Camp Chippewa, Wednesday develops her first crush, with an asthmatic boy who hates the outdoors as much as she does. Left to her own devices, Debbie begins to woo Fester and she marries him with the intent of killing him and stealing his fortune. When Gomez tries to intervene, he is jailed and the family must rescue him and Fester.

The moment I realized just how bad Addams Family Values was was when I found myself smiling in excitement from Tony Shaloub appearing on screen. Shaloub has a cameo that is essentially a blink-and-you-miss-it role that is of utterly no consequence to the film. Shaloub is trotted out on the heels of David Hyde Pierce, Nathan Lane and (the Star Trek: Deep Space Nine geek in me was excited by) Camille Saviola. When the guest actors in minor roles thrill the viewer more than anything going on in the actual film, the movie is in trouble.

Like its predecessor, Addams Family Values trades on humor that comes from a macabre family interacting with the real, normal world and the jokes that result from (mostly) young people enjoying murder, gore, and pain. The first big problem is that that series of jokes was done to death in The Addams Family and Addams Family Values beats the same joke to an even bloodier pulp. The joke is dead long before this film begins, yet it is reiterated ad nauseum.

Addams Family Values is plagued as well by terrible direction and poor acting. On the acting front, Joan Cusack is entirely hammy as Debbie and not in the moments when it is obvious that is the intent. Similarly, Christina Ricci is unfortunately too frequently out of character as Wednesday. The humorless, morose Wednesday appears too often in Addams Family Values with a smile at the edges of her lips and radiating from her eyes. Sadly, while this makes sense after her character’s first crush, it does not makes sense early in the film.

In a similar fashion, the direction in Addams Family Values is unsettlingly choppy. While the make-up effects are wonderful, the basic editing on the film is . . . for lack of a better term, craptastic. The choppy editing is especially noticeable during the children’s play and the mayhem that follows at the summer camp.

Giving The Whole Ten Yards (reviewed here!) a run for its money as worst sequel of all time, Addams Family Values adds nothing of significance to the franchise and is, ultimately, a disappointment.

For other works with Anjelica Huston, be sure to visit my reviews of:
The Big Year
50/50
The Darjeeling Limited
The Life Aquatic With Steve Zissou
The Royal Tenenbaums
The Mists Of Avalon
Ever After: A Cinderella Story
A Handful Of Dust
One Flew Over The Cuckoo’s Nest

2/10

For other movie reviews, please check out my Movie Review Index Page for an organized listing!

© 2012 W.L. Swarts. May not be reprinted without permission.
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Monday, December 17, 2012

Barely Resembling The Character, Commander Kruge Is A Poor Recast Action Figure!


The Good: Good balance, Generally good accessories
The Bad: Underwhelming face cast, Reused body!, Miscolored accessories
The Basics: Recycled parts and a disproportionately large head prevent the Kruge action figure from being a worthwhile Star Trek toy.


Have you ever set down to review something and suddenly realized that: 1. it is nowhere near as good as you initially thought it was and 2. it is remarkably close to something you recently reviewed? I'm having that sense right now as I sit down to write the review of the Commander Kruge action figure from Playmates Toys. Commander Kruge was always a pegwarmer when the movie series of action figures came out, but I still figured it might be an average action figure. But today as I sat down to review it, I was bugged by some of the detailing and I realized that the Commander Kruge figure is simply a different head on the Klingon Warrior Worf action figure that I reviewed a few days ago! Any chance this figure had of getting a good review went right out the window.

This is especially disappointing to me, as the other Klingon action figure in this series, General Chang (reviewed here!) was not made of recycled parts, so it is frustrating that Kruge would be presented so shabbily. To be fair, I'm one of the few Star Trek fans who even recalls Kruge, much less argues for him to get the credit I feel he is due. Commander Kruge, after all, is the Klingon warrior who manages to destroy the U.S.S. Enterprise in Star Trek III: The Search For Spock (reviewed here!). Often forgotten in the pantheon of Star Trek villains (he did follow on the heels of Khan, so. . .) the fact that the figure is mostly just recycled parts is the final slap in the face to fans of this obscure and deadly Klingon.

Basics

The Classic Star Trek Movie Series Collection of action figures contained only ten figures and it was released late in 1995 right before Christmas. This line-up included the Commander Kruge action figure which sat on shelves because people generally did not like the character or this sculpt of Kruge. The entire run of these figures was overproduced and the Kruge figure seems to be the only non-main cast figure from the series whose value has remained low or plummeted since the initial release of the figures.

The Commander Kruge figure is the Klingon warrior and bird-of-prey captain as he appeared in Star Trek III: The Search For Spock, save that the armor is not quite right and he is lacking the robe he wore while on the Genesis Planet. Kruge here is dressed in his heavy armor and spiked boots. The problem here is that the figure is wearing a bandoleer; Kruge never did. In fact, only Worf wore the bandoleer over the armor like this! That was how I realized this was entirely a recycled body with a new head. Worf, er, Kruge's hands are molded to be able to carry his accessories.

Standing four and three-quarters inches tall, this is a fair likeness of Kruge immortalized in plastic. The armor would be accurate if it weren't for the bandoleer Kruge is wearing. The figure's painting details are remarkably light as well. While the Klingon Warrior Worf figure had accents on the boots and legs, this figure is less painted. Kruge's face is molded in a stern expression, which is character-appropriate. His face possesses pretty decent amounts of details, with his lips downturned in a scowl and buggy eyes. On the plus side, the forehead ridges are molded in and the figure has decent fleshtone detailing with dark patches on his cheeks and ridges. He also has well-molded eyebrows that is a decent detail.

The paint job is fair, but outside the fleshtones on the face, this is an underpainted figure.

Accessories

Commander Kruge comes with five accessories, plus a trading card: A Klingon communicator, a Klingon Tricorder, a Klingon disruptor, the back portion that makes the disruptor into a rifle and an action base which was the standard style for the Movie Series collection. Commander Kruge is unfortunately over-accessorized, especially given the way his hands are molded. The Action base is more than enough to support Kruge and offer make the figure a decent display piece. The action base is a 2 5/8" in diameter black stand that raises the figure an additional half inch from the display surface and bears a StarFleet Delta symbol and a sticker at the base with the character's name on it. Near the top of the triangle in the symbol is a peg which fits into the hole in either of Kruge's feet!

The Klingon Communicator is a one inch long choking hazard which is surprisingly well-detailed. Unfortunately, by its size it looks more like a Klingon tricorder and it has the ribs and buttons that define the small prop. This is a pretty cool accessory regardless and it offers more play options than just the weapon would.

The Klingon tricorder is the same size and fits in either of the toy's hands. The tricorder is disproportionately large compared to the rest of the figure, but it makes for good play as the figure can be posed demanding to be beamed up.

Kruge, of course, comes with a weapon and it is unfortunate that his Klingon disruptor does not have a holster or attach to the Commander's hip in any way. Still, this one and a half inch gun fits perfectly into either of Kruge's hands and is very detailed with molded details like the double barrels that lead to the single firing point.

The final accessory is a gun butt which can be shoved into the back of the disruptor. This makes the disruptor into a Klingon rifle and that is cool, as it is what was done in the film. Unfortunately, it is still longer than the figure's armspan, so it looks goofy in Kruge's grip. Also unfortunate is that all four of these accessories are molded in a turd-brown plastic that is lacking in realistic coloring detail and cheapens the overall appearance of the figure. The lame coloring of the accessories, it is tough to get excited about this.

The Movie Series line of Playmates action figures also comes with a very cool SkyBox trading card unique to the action figures. The Kruge card is landscape oriented and features a headshot of Kruge on the bridge of his Bird Of Prey. The back of the card has all sorts of vital information on Kruge and the figure is highly sought by card collectors who collected the cards and disposed of the figures. Interestingly, many of the Movie Series figures often had multiple cards in the bag behind the primary card, so it can often save collectors money to pick up the figures that way for the multiple cards!

Playability

Kruge underwhelmed those used to a high level of quality from Playmates, though he was not bad at the time, pleasing collectors and fans alike. Molded in a pose that makes him look somewhat burly and ready to attack this is a mediocre sculpt of Kruge. Kruge is endowed with twelve points of articulation: knees, groin socket, biceps, elbows, shoulders, waist and neck. All of the joints, save the elbows and knees, are simple swivel joints. As a result, the neck turns left to right, for example, but the head cannot nod. Similarly, the shoulders are not ball and socket joints and only rotate. Still, Playmates dealt with this limitation by having a swivel joint in the bicep, that allows everything below to turn and offers real decent poseability!

Moreover, for use with actual play, Kruge may bend or extend at the elbows, which offers a greater amount of movement potential making him one of the more realistic Star Trek action figures to play with (for those who actually play with these toys!). On his base or off, Kruge is quite stable, making him a good figure for display as well as play.

Collectibility

Playmates mass produced the first few waves of Star Trek figures, but by the time the Movie Series set came along, they were a little more conservative in their production. With this toy line, they incorrectly divined an enthusiasm for main cast figures (in their outfits from Star Trek: The Motion Picture) so villains like Kruge were underproduced within the line. Still, Kruge was not popular and his value has stuck near the original release price. One suspects Art Asylum will eventually make a Kruge figure which will easily trump this one, though that would not take much to do.

Playmates tried to make the figures collectible. Each figure has an individual number on the bottom of his right foot. In the attempt to make them appear limited, they had numbers stamped on them, though one has to seriously wonder how limited something should be considered when there are at least 22,000 figures out there (my Kruge is #021834!).

Overview

A worthwhile Klingon, Kruge is poorly made by Playmates as an action figure and it is easy to pass this one by.

For other Playmates Star Trek figures of Klingons, please check out my reviews of:
B’Etor
Commander Worf
Kang

3/10

For other Playmates Star Trek figure reviews, please check out my Index Page on the subject!

© 2012, 2009 W.L. Swarts. May not be reprinted without permission.
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Saturday, December 15, 2012

Weird And Fun, The Addams Family Holds Up Remarkably Well!


The Good: Funny, Quirky, Decent plot, Interesting characters
The Bad: Plays largely off the introduction of more odd characters, Somewhat predictable plot progression.
The Basics: Funny and weird, The Addams Family is a showcase of good lines, as opposed to a solidly good film.


I’m not sure why I was not as obsessed with my peers, at the time of its release, with The Addams Family. It seems like the exact type thing I would enjoy and I know as a teenager, I actually saw the film. I suspect it had to do with its release time or the reaction of my friends. At the time, I was just getting into Star Trek and I think my friends were quoting The Addams Family ad nauseum the way they did The Nightmare Before Christmas (reviewed here!) to the detriment of my enjoyment of the movie when I finally did see it.

Watching The Addams Family again now, as it came with my wife’s permanent collection, I was surprised by how well it held up. Recently, I watched Batman (reviewed here!), which came out around the same time as The Addams Family and I recalled being less impressive than I initially was. There was so much of it that I found cheesy in that. With The Addams Family, I had the opposite reaction. Supposed to be weird, quirky and honestly funny, The Addams Family is a comedy made almost entirely by the ridiculous horror monster characters who try to interact in the real world.

Twenty-five years after Fester, the older brother of Gomez Addams, goes missing in the Bermuda Triangle, Gomez wants very much to reconcile with his lost brother. The family’s attorney, Tully, wants to invest Addams family money, under Fester’s name (for tax reasons), but Gomez puts it off until the next Quarter. Frustrated with how long it is taking to get money out of the estate and needing to pay off Abigail and Gordon Craven, Tully comes up with a scam: Gordon will impersonate Fester to get into the Addam’s family vault. During a séance, Gordon as Fester arrives and Gomez is quick to take him back.

Despite the inconsistencies with his story and memory, the Addams family – outside Wednesday – openly embraces Fester. But to put their minds at ease, Fester helps Wednesday and Pugsley with their school play and dancing Mamuska with Gomez. In spending time with the Addams family, Gordon begins to turn against his mother. But when Tully and Abigail engineer a restraining order to get the Addams family evicted from their house, Gordon has to choose between his biological and adopted families.

The Addams Family is funny, but the best lines were overplayed to me (as a fan of The Addams Family pinball machine!). Still, The Addams Family has some great lines, mostly based on the fact that they are delivered with childlike glee or a deadpan sensibility that is entirely incongruent to the words themselves. Most of the lines in The Addams Family hinge on very simple reversals from the expected: things like pain being inflicted upon loved one being met with eager anticipation.

The plot is fairly obvious, but nevertheless engaging. The idea of the whole scam aspect and the few mundane human characters mixed with a witch, what appears to be a zombie girl, and the disembodied hand, Thing, plays out well. The mundane characters provide the visual equivalent of a laugh track, reacting with unabashed horror to the delivery of the most shocking lines. On the other hand, some of the scenes that work best feature the family members interacting on their own. Morticia telling Wednesday to play with her food is classic and the way Morticia and Gomez act lovingly toward one another constantly makes for a surprisingly positive nuclear family (despite the fact that they each delight in inflicting pain on one another and they fell in love at a funeral).

The Addams Family is also a great example of good casting coupled with decent performances. Raul Julia is electric as Gomez Addams and Anjelica Huston plays Morticia with a coldness that she later translates into professional detachment when defining her character in The Royal Tenenbaums (reviewed here!). She and Julia have great on-screen chemistry.

It is, predictably enough, Christina Ricci and Christopher Lloyd who steal the film. Ricci plays Wednesday and at her young age, she plays him with a perfect embodiment of creepy and deadpan. Christopher Lloyd, who has pretty incredible range, makes Gordon and Fester distinctly different characters in The Addams Family.

On DVD, The Addams Family has two theatrical trailers, but no other bonus features. For a pretty delightful early-‘90’s quirky film (one that Tim Burton had nothing to do with), it is hard to do better than The Addams Family!

For other works with Dan Hedaya, please check out my reviews of:
Strangers With Candy
Mulholland Drive
Alien: Resurrection
The Usual Suspects

6.5/10

For other film reviews, be sure to check out my Movie Review Index Page for an organized listing!

© 2012 W.L. Swarts. May not be reprinted without permission.
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Thursday, August 2, 2012

In Its Third Season, Modern Family Hits A Hilarious Stride!


The Good: Consistently gunny, Decent character development, Good serialization for some of the plot elements.
The Bad: Nothing exceptional on the acting front (that’s qualified in the review!).
The Basics: Modern Family Season Three is arguably the best season so far and is well worth picking up for anyone who likes eclectic family comedies!


I can think of no single comedy that so quickly rocketed into the “must watch each week” category for my wife and I as Modern Family. We actually got hooked during the primary run of Modern Family’s third season and once we decided it was a new weekly tradition for us, we backtracked and watched all of Season 1 (reviewed here!) and Season 2 (reviewed here!) in short order. But having rewatched the entire third season again, it is easy to see why it was the season that hooked us both.

In its third season, Modern Family is consistently funny and the characters actually grow beyond the comfort levels established for them in the prior seasons without making them seem even momentarily like new or unfamiliar characters. Over the course of the twenty-four half hour episodes of Season Three, the Pritchetts and Dunphys experience more of the trials and tribulations of daily life in contemporary times. This family-focused comedy follows three family units within the extended family of Jay Pritchett, The result is a show that is willing to serialize some of its important elements in order to actually develop the characters. Unlike some of the earlier seasons, in its third season, Modern Family commits to the characters over each episode’s theme.

It is in the third season that Claire runs for city council because the current head of the city council ignores her pleas for a new traffic sign. Her effort to run for elected office is vocally supported by Phil and the three children who realize that if Clair wins, she will not be home to bug them for quite some time. As they work to support Claire, Haley begins her college search and discovers that she might not have what it takes to go to college when she graduates (if she graduates!) high school! Cam and Mitchell work to adopt a second baby, much to the chagrin of Lily.

More ridiculous elements only survive the individual episodes, like the Christmas episode which has the whole extended family running around to prepare for an express Christmas or the episode that pits the dreamers against the family members who believe in empirical, provable, results. Jay and Claire essentially fight one another to do Manny and Luke’s egg drop project. Jay tries to set Manny up with a work ethic by having him become a door to door salesman and Lily starts saying the “F-word!”

The third season of Modern Family works very hard to balance the various characters, but more often than not, the show finds focus with Phil. So, for example, as Claire campaigns for the city council, it is often Phil’s backwards attempts to help that steal the show. And while the three women in the Dunphy family seem like they would be the focus of an episode where their menstrual cycles synch up on Leap Day, it is actually Phil’s reactions to their heightened moodiness that steals the show. In fact, it seems like in every episode in the third season of Modern Family, there is a plotline that integrally involves Phil. That is not so with all of the other characters.

The show takes on a few more serious concepts, like the death of a neighbor who was Luke’s friend and the revelation that Haley has lost her virginity. And when Gloria screws up and lets down Phil, the show uncharacteristically confronts head-on the attraction that Phil has for his father-in-law’s wife. That is actual character growth. Of course, elements like Jay and Claire getting increasingly competitive with one another is very much within their established characters. Part of what makes Modern Family so good is how the show works hard to evolve its characters, but seems to acknowledge that not everyone changes and those who do change have the tendency to have relapses of one form or another.

While the characters doo seem to grow a bit in the course of the third season of Modern Family, the acting is largely what one might expect from the show. By this point, all of the adult actors know their roles and they continue to play within their bounds. It is notable that by the end of the third season, Modern Family’s young cast successfully embodies each of their characters enough to convince the viewers that they are thoroughly professional and secure in exactly who they are supposed to be.

As is typical with television comedies, Modern Family Season Three comes with minimal bonus features. There is a gag reel and a handful of deleted scenes where the characters talk to-camera from the couch (Modern Family has a quasi-documentary shooting style). This is not one of those series’ where every episode gets multiple commentary tracks. Still, the low-key extras can be very nice. The primary programming of Modern Family Season 3 makes it worth the buy on its own!

For other shows from the 2011 – 2012 television season, please check out:
30 Rock - Season 6
The Big Bang Theory - Season 5
Happy Endings - Season 2
New Girl - Season 1
Once Upon A Time - Season 1
Weeds - Season 7

8.5/10

For other television reviews, be sure to check out my Television Review Index Page for an organized listing!

© 2012 W.L. Swarts. May not be reprinted without permission.

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Tuesday, May 29, 2012

Aiming For Humor, Piranha 3DD Is Still Gross.


The Good: Some of the acting, 3-D effects
The Bad: Absolutely ridiculous plot and execution, No character development, The acting from the secondary characters.
The Basics: Absurd and graphic in all of the worst possible ways, Piranha 3DD is little more than a gory porn flick that fails to satisfy on any level.


There are torturous aspects of being a film reviewer. During Summer Blockbuster season, audiences are inundated with slews of films and while that usually is a thrill, not all of the movies released as summer fare are even remotely worthwhile. Piranha 3DD is one such film that is so bad, it makes one wonder how anyone can justify spending millions of dollars to make movies like it. To its credit, Piranha 3DD is so absolutely, unbelievably ridiculous that it does not even try to take itself seriously.

As a sequel to Piranha 3D (reviewed here!), Piranha 3DD is not campy; it is a parody of itself and more often than not it is obvious. When it is not utterly ridiculous, it is nauseatingly gross. Piranha 3DD plays in hyperboles; the characters are almost universally dumb, the nudity is in-your-face in a way that only a teenager might find it enjoyable and the gore is so excessive that Piranha 3DD, despite being light on plot and character and high on special effects, cannot be considered a “popcorn movie.” In fact, the only reason to have any sort of snack with you while watching Piranha 3DD is so you have a container in which to vomit . . . because the need is likely to arise, except for those who have been desensitized by such films as this in the past.

Near the now-(mostly)deserted Lake Victoria, killer piranhas resurface from eggs, despite the locals being aware of the piranha problem. As the local waterpark reopens with an adult-themed section – Big Wet – the owner of the waterpark, Chet, is looking to have a profitable go of the business. But Chet’s hopes are dampened some when his step-daughter, Maddy, returns from college for the summer. As a co-owner, she has real issues with the management of the waterpark. She is shocked when two of her friends are killed at the nearby lake. After determining that the waterpark is not at risk from the piranhas, Maddy’s friend accidentally wounds her boyfriend when a piranha that swam into her vagina bites his penis while they have sex.

From there, the situation gets even worse. Chet is illegally pumping water from an underwater river into the waterpark and that gives the new swarm of piranha the access they need. Bursting into the waterpark, carnage ensues – diminished some by the return of Deputy Fallon and celebrity lifeguard David Hasselhoff. As Maddy fights for survival, Big Wet gets very bloody.

Piranha 3DD is an exceptionally easy film to write off; the studio more or less did that when they released it digitally simultaneous with the theatrical release. The advantage of the digital release is that you can pause or turn the film off without feeling like you are out a whole lot (unlike walking out of a theater after paying 3-D film prices, which is a tough thing to do). The advantage of seeing Piranha 3DD on the big screen is the 3-D effects. To be fair to Piranha 3DD, the effects are pretty impressive. So, for example, because the film was shot in 3-D, big, bouncing breast shots actually feature giant, round breasts, as opposed to two layers of flat-shots, as one gets when a film is made into 3-D in post-production.

The only other positive noteworthy aspect of Piranha 3DD is the reappearance of Christopher Lloyd’s zany fish expert Goodman. Lloyd seems not to take the material he is given too seriously and that makes his melodramatic deliveries even more funny. Similarly, David Koechner is appropriately funny for his part in Piranha 3DD. Chet might not be the defining role of his career, but David Koechner is good in Piranha 3DD.

Beyond that, Piranha 3DD is universally bad. And to make the distinction; as a reviewer, I am subjected to a lot of bad movies. There are bad movies that bore me, bad movies that I find unpleasant and movies that I could not be paid to watch again because they are so terrible. Piranha 3DD is, in every way, the latter. From almost the first frames of the movie, Piranha 3DD works to establish itself as a movie that is more bloody, nudity-filled and preposterous than the original. In that way, it succeeds.

That said, Piranha 3DD is unpleasant to watch on virtually every level. Maddy’s character is initially sympathetic, but quickly becomes boring. In a film filled with utter nonsense, like a young woman who does not seem to notice she is carrying a piranha around in her vagina for a whole day, Maddy seems mundane and straightlaced in a way that simply does not work. It is almost like the writers and director John Gulager postulated that if one character seemed normal, all of the rest of the absurdities would be overlooked by the audience. Instead, Maddy comes to appear almost as unreal as Fallon’s use of a prosthetic shotgun for a leg in that she starts out smart and rational, but never breaks down sufficiently amid the ensuing carnage. In other words, if she were truly as smart and real as she appears at the outset, she should have been far more of a mess as her world collapsed around her.

The rest of the characters in Piranha 3DD are vacuous, corrupt and just plain stupid. Maddy is surrounded by young women who are pretty easy, which makes her outrage at Chet’s creation of Big Wet seems all the more forced, and men who are abusive or dull. Maddy’s ex-boyfriend, Kyle, is pretty much a douchebag in a uniform and it is utterly unsurprising when it is revealed that he is getting kickbacks from Chet. The fact that Barry is established as a man who does not know how to swim, yet comes through as the obvious hero character for the climax is head-shaking bad.

The acting in Piranha 3DD is pretty terrible, even though the effects are good. It’s hard to imagine what enticed Katrina Bowden to spend her time away from 30 Rock shooting this piece of crap. This marks only the second work I have seen Danielle Panabaker in – the first being Friday The 13th (reviewed here!) – and while she might have more screentime as Maddy, she is no more memorable. Her reactions are often stiff and she too-frequently delivers her lines as if she is struggling to remember them (or, conversely, without emotional realism because the lines are memorized and being delivered as if by rote).

It is the minor roles – the cameos like David Hasselhoff and the reappearance of Ving Rhames as Fallon – that overshadow the young cast. They give a moment’s joy for the viewer that is far too short. In the end, that is nowhere near enough to make Piranha 3DD worth recommending or watching, now or on video.

For other works with David Koechner, be sure to visit my reviews of:
Paul
Extract
The Goods: Live Hard, Sell Hard
Sex Drive
Get Smart
Let’s Go To Prison
Farce Of the Penguins
Thank You For Smoking
The 40 Year Old Virgin
Waiting . . .
Anchorman: The Legend Of Ron Burgundy

1/10

For other film reviews, be sure to check out my Movie Review Index Page for an organized listing of all the films I have reviewed!

© 2012 W.L. Swarts. May not be reprinted without permission.
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Tuesday, May 15, 2012

In Its Second Season, Modern Family Continues To Delight!


The Good: Very funny, Decent characters, Good acting
The Bad: Light on DVD bonus features, Replayability is less than I would have thought
The Basics: Modern Family - Season Two continues to chronicle the story of the Pritchett/Dunphy extended family in an entertaining fashion that does not use the DVD medium as well as it could.


Modern Family is one of those television shows that has rapidly worked its way into my heart. My wife was home ill one night when I was working late and she caught multiple episodes and she had me get Modern Family Season 1 (reviewed here!) out from our local library. Since then, we have been watching it very regularly and when I picked up Modern Family - Season 2 on DVD, it made her very happy. And while I enjoyed the second season of Modern Family, while experiencing it on DVD, I had the odd sensation that it was not a very enduring comedy. That might seem like an odd thing to write, but there were a few episodes in the second season that my wife and I caught on television several months back and when they came up on these discs, neither of us wanted to watch them again.

Whenever I consider a season or a series, the level of replayability is part of what I evaluate in order to recommend for or against people buying the DVD or Blu-Ray. In the case of Modern Family Season Two, objectively the show was wonderful and I enjoyed the experience of watching it, but when it came time to rewatch it, I was far less inclined to than I would have suspected. In other words, Modern Family in its second season seems to be doing everything right, but the comedy does not hold up as well over multiple viewings as some other sitcoms I have watched and reviewed of late.

In its second season, Modern Family is a series of twenty-four half hour (less considering there are no commercials on the DVDs) episodes that focus on the extended Pritchett/Dunphy family. The main characters remain the same from the first season to the second and in the second season, their story continues as pretty much a series of embarrassing or awkward situations that illustrate well the foibles in contemporary relationships, especially as they pertain to family life.

It is in this season that Mitchell helps to build his daughter’s play castle and he gets caught in an awkward situation on Halloween at his job. Claire attempts to get a speeding neighbor to stop, which drastically complicates Phil’s business relationship when that neighbor wants to sell her house. This is the season where Alex has her first kiss and discovers that popular kids are deeply insecure and that by not caring about popularity, she can become popular. Cameron and Mitchell also have to choose who Lily would go to should they both die fast and horribly and they use an earthquake to get out of visiting one of their friends.

As with the first season, the second season of Modern Family features multiple episodes that are centered around a single theme or event. For example, in “Two Monkeys And A Panda,” the three major conflicts all center around characters trying to put themselves in the place of another. It’s like an empathy test as Phil – using a spa day that Claire was supposed to use – tries to learn just what Claire wants to hear in order to be a better husband, Claire tries to keep peace in the family when Alex accidentally ruins Haley’s sweaters, Mitchell has to rectify Lily’s adoption paperwork (which put Cameron’s last name as Lily’s middle name) and Gloria deals with Jay’s plan for their bodies that conflicts with her own idea about what one does with their own corpse. Throughout the course of the episode, truths compel the characters to grow by making them see the world through their partners’ or family member’s eyes.

While the somewhat episodic nature of the second season of Modern Family makes the show a little more plot-based than character-centered, Modern Family still has more character (and more characters!) than most other situational comedies. In the second season, the principle characters of Modern Family are:

Jay Pritchett – The patriarch of the family, he is married to Gloria and works hard to raise Manny with her, despite finding Manny to be a little weird. He tries to help Cam keep Mitchell away from tools and is frequently put in his place by Gloria, especially when he disrespects her Colombian customs. Loosening up a little to show affection in order to not repeat the problems he had with Mitch and Claire, he is a solid guy who enjoys the benefits his success has brought him,

Gloria Delgado-Pritchett – Irked by how Jay disrespects her sometimes, she is a little clingy with Manny. She becomes obsessed with the way one of their neighbors’ dogs barks constantly (which leads the neighbor to realize that Gloria’s shrill voice is what he has been misinterpreting as an animal for months) and she tries to help out at one of the school dances, against Claire’s wishes. She also tries to maintain a friendship by telling her friends that Jay is not well,

Manny Delgado – the socially awkward son of Gloria, he has a more formal and oddly adult outlook on life. He has an epiphany late in the season that he has been wasting his childhood by being a good kid and he has a bit of fun changing up his life,

Mitchell Pritchett – The son of Jay and partner of Cameron, he works hard to fit in at his new job, while still being taken seriously. He avoids public displays of affection, continues to be somewhat competitive with Claire (though they come together to try to get Cameron and Phil to change their behaviors). He starts to trust his relationship with Cam more this season,

Cameron Tucker – Mitchell’s significant other, he falls apart on Halloween when recounting his own version of a traumatic experience. He refuses to believe Mitchell when Mitch tells him his mother is being inappropriate with him and he does most of the day to day parenting for Lily,

Lily Tucker-Pritchett – Falls a little behind her peer group, which alarms Mitch and Cam. Otherwise, she is pretty much just a baby,

Phil Dunphy – The awkward husband of Claire and father to Luke, Alex and Haley, he continues to do well as a real estate agent. The family seems to accept that he has a crush on Gloria and he works very hard to impress his father-in-law, Jay. Outside Valentine’s Day, though, he and Claire seldom seem affectionate,

Claire Dunphy – Jay’s daughter (and something of a Daddy’s girl) and Phil’s wife, she slowly begins to tire of running the kids around, even to the point where she trades responsibilities with Phil for a day. It is her idea to get rid of the old car that has a lot of her and Jay’s personal history,

Hayley – Having dumped Dylan, she finds herself bouncing between multiple guys, enjoying her popularity. She grooms Alex to be popular and is otherwise just an average teenager,

Alex – the brainy daughter of Phil and Claire, she has an ongoing rivalry with Hayley. As her middle school graduation approaches, she seriously considers using her valedictory address to put the popular kids in their place,

And Luke – The youngest Dunphy child, he has attention deficit issues and takes after his father.

As for the acting, the adult actors – led by Ed O’Neill (Jay), Ty Burrell (Phil) and Julie Bowen (Claire) – continue to masterfully execute their, usually ironic, lines. Burrell stands apart as his dry and often comically inappropriate deliveries are paired with a greater sense of physical comedy than anyone else in the cast. The child actors continue to disprove the notion that kids are not worth working with. Rico Rodriguez and Ariel Winter continue to credibly deliver lines that are written as if their characters are much, much older (or mature) than the actors are. Nolan Gould also seems more comfortable with his dialogue (losing the mumbling lisp that plagued him in the first season).

On DVD, Modern Family season two comes with minimal bonus features, making it a tougher sell to buy than it would be to recommend viewers watch as it starts making a rotation in syndication. Even so, this DVD set is easily worth recommending consumers view, if not buy right away.

For other works with Julie Bowen, please check out my reviews of:
Horrible Bosses
Weeds - Season Four
Boston Legal
Lost

8/10

For other television reviews, please be sure to visit my Movie Review Index Page for an organized listing of all the films and shows I have reviewed!

© 2012 W.L. Swarts. May not be reprinted without permission.
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Sunday, April 15, 2012

An Extended Family With Thematic Wackiness: Modern Family Season One Is Enjoyable!


The Good: Very funny, Decent acting, Interesting characters
The Bad: So many characters some get underused, Some very typical sitcom plots, One or two less strong performers.
The Basics: Modern Family shows its pluck with an engaging and very funny first season that holds up fairly well.


One of the key elements in recommending a DVD boxed set, from me, is replayability. This is an aspect that comedy usually suffers on and I have been called an especially harsh grader in the way that I consider shows that I do not think will replay well. When I first sat down to watch Modern Family Season One with my wife, I almost instantly began to feel like the show was going to suffer on the replayability front. I still have that feeling. The reason I felt that way so fast is that when the first episode’s teaser began, two of the characters, Mitch and Cam, are on a plane and Mitch gets defensive over his perceptions of being judged by those whom he thinks are homophobic. As it turns out, his new adopted daughter is holding a cream puff and the paranoid mistake causes Cam to buy everyone headsets for the trip. I saw that gag years ago during the original advertisements for Modern Family and the moment the scene began, I recalled it. More than a testament to any sort of phenomenal memory on my part, it is a sad commentary on how the show telegraphs itself.

That said, watching the four-disc Season One DVD set, I found myself laughing quite a bit. And when I write “laughing quite a bit,” I mean both quantity and quality. I was laughing enthusiastically and frequently and more than any show in recent memory, Modern Family caught me off guard when it was not going in remarkably predictable plot or character directions. The two extremes are what makes this season a tougher sell for me than some.

Modern Family, in its first season, is the story of the extended Pritchett/Dunphy family. The show in this season is organized around themes. So, for example, one episode explores how competitive feelings affect relationships. While young Manny illustrates a surprising athletic talent at fencing, he runs into a moral quandary when his final opponent is a girl. This raises a long-suppressed conflict between Mitch and Claire over their aborted ice skating career, where Claire abandoned Mitch on the eve of their biggest competition. Every member of the family tries to resolve their feelings and come to a conclusion on their beliefs in the situation and the hilarity comes when both Gloria and Jay, who encourage Manny to not hold back on his opponent because of her gender, try to change their minds mid-fight when they hear the girl’s pitiable story.

Modern Family is shot like a documentary, where characters give monologues to the camera. Unlike Once And Again where those monologues are used to express deeper emotions, on Modern Family, the to-camera exposition usually sets up jokes or reveals tensions between characters at any given moment. This technique, thanks to The Office is becoming more commonplace and Modern Family utilizes it fairly well in its first season.

Like most sitcoms that are thematic, Modern Family works much more to establish characters and create hilarious wordplay. To that end, the show is not so much about what happens – it is more often than not a chronicle of daily life for the characters – but how they go about the mundane events in their lives and the stupid things they say and do while they plod along. To the show’s absolute credit, while some of the plots are pretty standard sitcom plots – Claire searches for a good anniversary gift for Phil after he gives her a thoughtful gift and she phoned it in, a child’s birthday party becomes a chaotic event with much mayhem and conflict – the characters are interesting, even if there are a lot of them to keep track of and they are not all given similar amounts of airtime. In the first season, the show is all about:

Jay Pritchett – The patriarch of the family, Jay is a little more conservative than the rest. Even so, he recently married the gorgeous Gloria, who is younger than his daughter and he is struggling to make a home for Manny. Despite being fabulously successful, he often gravitates toward quiet activities, like watching the football game or spending time flying his model plane in the park. He consistently outsmarts Haley when she tries to escape a night with the grandparents to go to a party and his pride in Manny leads to a fight with Claire when Luke and Manny have a little falling out,

Gloria Delgado-Pritchett – Colombian and divorced from her selfish first husband, she seems to be drawn to Jay for the security he represents for her and Manny. She often butchers English phrases, tries to forgive Jay’s ex-wife for ruining their wedding party and comes to hate Jay’s dog butler statue. She is a terrible driver,

Manny Delgado – The son of Gloria and step-son of Jay, he delights in pointing out that he and Claire are step-siblings. He has a little thing for Haley. In attempting to identify with his Colombian culture, he prepares to go to school in a poncho and play the pan flute. He is good at fencing and mourns the death of his turtle when Jay accidentally kills it,

Phil Dunphy – The awkward husband of Claire, son-in-law of Jay. He desperately seeks Jay’s approval and tries to garner it by flying Jay’s model plane with him (and taking it in the face!). He tries to connect with his children, who are horribly embarrassed by his use of ethnic slang, suffers from a kidney stone and accidentally leads on an ex-girlfriend via Facebook. He loves Claire, but retains a youthful exuberance that she often finds annoying. Someday, he might just fix the broken stair in their house,

Claire Dunphy – Ambitious, professional and determined, she is the daughter of Jay and something of a daddy’s little girl. She is married to Phil, arguably because she got pregnant with Haley. A pragmatist, she keeps order in the house and is dismayed when one of her professional rivals is promoted to a position she otherwise would have obtained by this point in her life. Competitive with her brother, Mitchell, she seeks time with Phil where they can spice up their marriage and wants nothing more – in the end – than a perfect picture of the extended family,

Haley Dunphy – The oldest Dunphy daughter, she is a little slutty and very stupid. She dates Dylan and tries to spend all the time she possibly can with him, including trying to sneak out of the house to be with him. She is a terrible driver and her experience with underage drinking in Hawaii is disasterous,

Alex Dunphy – The brilliant younger Dunphy daughter, she sets up many jokes about Haley’s stupidity. She confronts her fears about boys when she goes to a school dance,

Luke Dunphy – The dimwitted younger Dunphy child, he and Phil are very close. He takes the rap for Phil’s online porn, gets an amazing birthday party that he is not really interested in and hunts under the house for buried treasure,

Mitch Pritchett – The gay son of Jay, he feels closer to his mother still in many ways and he and Cam, who have been together for years, have just adopted Lily from Vietnam. He is a very successful lawyer until the day his boss demands more of his time, which makes him fear he will miss all of Lily’s important milestones and he quits. He quickly discovers that home life is not for him and works to get back into the business world, despite Cam inadvertently sabotaging his chances at an ideal job. He is very competitive with Claire and has little to bond with Jay about, though the two share an interest in astronomy,

Cameron Tucker – The big, loveable man in Mitch’s life, he loves raising Lily and essentially being a house husband to Mitch. He has trouble letting Lily cry and he has a life before Mitch as Fizbo, a tramp clown. He has a moon landing with Jay and dispenses many of the season’s funniest lines,

Lily – The adopted daughter of Mitch and Cam, she is just a baby this season.

On the acting front, Modern Family is something of a mixed bag in its first season. Half of the cast is entirely typecast and the other half is brilliant. Yeah, it’s that dramatic of a difference. Sofia Vergara, as Gloria, is initially presented with bangs and with a more simple sense of beauty before a mid-season change after which she pretty much is only seen in clothes that make her look glamorous. At the other end of the spectrum, Julie Bowen might as well be playing her Boston Legal or Lost characters still. She always seems to play the humorless professional and even in the role of stay-at-home mom Claire Dunphy, she performs the same way. Nolan Gould, Ariel Winter and Sarah Hyland all play the Dunphy children, as expected, like the children they are and Gould’s performance suffers some because it is unclear whether his lack of articulation is an acting choice or a function of the actor’s young age.

On the flip side, Rico Rodriguez gets through an exceptional amount of dialogue where he plays a child who often seems older (or creepier) than he actually is. Jesse Tyler Ferguson and Eric Stonestreet have exceptional on-screen chemistry as Mitch and Cam, especially as their characters never kiss. They emote an entirely functional, loving relationship with remarkably little physical intimacy on screen. Ed O’Neill’s Jay is a wonderful counterpoint to his years as Al Bundy and his character from The West Wing (where he, improbably enough, seemed remarkably presidential!).

The real winner, even in the first season, is Ty Burrell. Burrell plays Phil and he is an exceptional physical actor with an uncanny knack for making the deadpan absolutely, laugh-out-loud funny. He delivers his craziest lines with a straight face and he is the breakout actor of the first season of Modern Family. Some might watch the show for Sofia Vergara’s breasts, but it is Burrell that delivers the most bang-for-the-buck.

On DVD, Modern Family Season 1 comes with a minimal amount of bonus features. Like most sitcoms, there are featurettes on the making of the show, but little else. Still, especially because it is not yet syndicated, Modern Family Season 1 is well worth watching and – if you can find it on sale – buying.

For other debut comedy seasons, be sure to check out my reviews of:
Happy Endings Season 1
Frasier - The Complete First Season
Family Guy - Volume 1

7.5/10

For other television reviews, be sure to visit my Television Review Index Page for an organized listing!

© 2012 W.L. Swarts. May not be reprinted without permission.
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