Showing posts with label Eric Laneuville. Show all posts
Showing posts with label Eric Laneuville. Show all posts

Friday, February 2, 2018

Inevitable End Gets (Marginally) Interesting: "Past Life"


The Good: Acting is competent, Good direction, Natalia Cordova-Buckley shines
The Bad: Simple and obvious plot, Kasius becomes ridiculous
The Basics: "Past Life" is a real mixed bag of Agents Of S.H.I.E.L.D. as it rushes toward the inevitable while undermining the villain and elevating Yo-Yo Rodriguez.


For the last few episodes of Agents Of S.H.I.E.L.D., the future plotline that the cast has been stuck in has felt like it ought to be done. And yet, the show has stretched out the plotline that viewers know must inevitably collapse. That has extended the "liberate the Lighthouse" and "find a way to the past" and "Kasius truly is a big villain worthy of your attention" plots past reasonable suspension of disbelief. So, with "Past Life" promising that it was the last chance for the Agents to return to their native timeline, viewers who have found their patience stretched are given hope.

"Best Laid Plans" (reviewed here!) preceded "Past Life" and it is hard to discuss the new episode without some references to where the prior episode left off. "Best Laid Plans" found May dispatching with Sinara and Kasius revealing to his people that he has his own seer predicting the future for him. And Zephyr One had made it back to the Lighthouse, which was liberated by Mack, Rodriguez and Flint.

Kasius arrives on the crashed Zephyr One to find Sinara's corpse, which leaves him shocked. Enoch makes it to a secure location while the Agents search for Flint to rebuild the monolith needed to help take the team back to the past. While Mack's team breaks up to help the humans remaining on the Lighthouse, Kasius mourns over Sinara's body until he realizes that the Agents must have a plan to return to the past. The Agents liberate the Inhumans being herded to Kasius, but Kasius decides to take an active role in restoring honor to his father's quest.

Rodriguez goes on a search for Kasius's final Inhuman and encounters the most unlikely aid to the Kree overlord. While Rodriguez is briefed on how the S.H.I.E.L.D. team destroyed Earth, Daisy Johnson resists coming with Coulson and May back to the past. Coulson knocks Daisy out to bring her with them, while Yo-Yo learns that Coulson is dying and that saving him is how the S.H.I.E.L.D. team destroys the world. While Enoch makes the ultimate sacrifice to

"Past Life" works well as an ensemble piece to bring together all three disparate plotlines. While Kasius seems more generally megalomaniacal, Mack reminds viewers of his Framework experience by offering Flint a place with him and Rodriguez in the past and Coulson bonds with Tess over their common experience of being dead before. But more than the character hints to past episodes, "Past Life" is plot-heavy as the various character groups retreat. But there are so many characters in play that the sheer volume of time spent with Kasius and Deke begins to feel tiresome.

Kasius is especially problematic in "Past Life." Kasius has gone through several phases in the fifth season of Agents Of S.H.I.E.L.D. and the big tease the writers and producers seem to want to have for viewers is "who is Kasius's father?" Kasius's father is the leader of the Kree Homeworld who sent Kasius to the shattered Earth to be humiliated and die. Beyond that, the viewer has little need for information on Kasius's father if the future timeline collapses; it seems like it would be a massive narrative stretch to have a Kasius from this tangent universe go back to Kree in the past and set his father on Earth at an earlier time would be ridiculous. As it stands, in "Past Life," Kasius just degenerates into a furious alien barbarian with no subtlety or complexity.

On the other end, Yo-Yo Rodriguez becomes vital and essential in a way that she has not been before now. Rodriguez has been an intriguing Inhuman who has been used on Agents Of S.H.I.E.L.D. on an "as needed" basis. Over the years, she has slowly built a relationship with Mack, but until this season, she has not been a core character who has been a part of the big missions. Instead, when S.H.I.E.L.D. fractures and most of the team is in trouble, someone (usually Daisy) inevitably calls her back to action to save the day. But, in "Past Life" Yo-Yo Rodriguez becomes indispensable to the story and the team. She has the keys now to saving the Earth, which is an interesting idea.

The balance of the episode ends up feeling like "Past Life" might actually play fine when binged watched, but on its own, it feels like a tedious end to a tired concept.

5/10

For other elements of the MCU, please check out my Marvel Cinematic Universe Review Index Page for a comprehensive listing!

© 2018 W.L. Swarts. May not be reprinted without permission.
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Tuesday, April 18, 2017

"No Regrets" On Agents Of S.H.I.E.L.D. Means The Ruthless Conflict In The Framework Is Coming To A Head!


The Good: Good performances, Decent direction, Moments of character
The Bad: Ambling plot, Overstated character moments, Emphasis on character cameos.
The Basics: Agents Of S.H.I.E.L.D. escalates the Framework danger in the average "No Regrets."


As Agents Of S.H.I.E.L.D. works toward its fourth season finale, the Framework storyline is getting necessarily dark. By the point of "No Regrets," viewers are pretty much lost if they have not been keeping up with the show. While the show has become surprisingly engaging, it does appear - despite the rising danger factor - to be going in one of two pretty clear directions. Either Daisy and Simmons are able to find a way out of the Framework and manage to rescue some (or all) of the main cast members who are trapped within (a decent bet could be made that Jason O'Mara's Mace could be killed within the Framework and thus leave his body dead in the real world) or they, too shall be trapped within the Framework and Agents Of S.H.I.E.L.D. will end . . . or end until some post-credit scene finds someone like Tony Stark walking up to the plugged-in agents and unplugging them or some such nonsense.

So, with the stakes pretty high already, but a pretty obvious end-point in sight, "No Regrets" begins. "No Regrets" follows on the heels of "Identity And Change" (reviewed here!), which had Daisy and Simmons trying to get to Radcliffe in order to escape the Framework. In the process, they learned that Fitz was pretty much rewritten into a murderous bastard, Mack wanted to join the Resistance with Coulson, Mace and Ward, and Skye was captured by HYDRA, which seems pretty intent on torturing her to death.

Mace and Coulson are preparing an ambush for a HYDRA transport that they hope might have Daisy when they discover that HYDRA is just transporting their victims. With their quest for Daisy coming up short, Mace and Ward debate using more aggressive tactics to get information from Simmons on what is actually going on. May is committed to defeating The Patriot and she enlists the aid of a HYDRA scientist who has a serum intended to give her a limited boost of super strength. Against Coulson's best judgement, Simmons tells Mace and Ward about the real world. Mace rejects her assertions because he can tell Simmons does not actually know him well and he has such strong memories of his recent years (in the Framework).

At HYDRA Headquarters, Fitz continues to torture Daisy, while Madame Hydra prepares Operation Looking Glass. Madame Hydra has an honest discussion with Daisy, where she offers Daisy the chance to properly enter the Framework and have her regret wiped. Madame Hydra wants to know where Daisy is in the physical world, but Daisy rejects her offer. Both Simmons and Fitz - separately - are unsettled, Simmons by seeing how happy Mack is with his daughter, Fitz by a visit from his father. Coulson and Mace head to the HYDRA re-education camp to try to rescue Antoine Tripplet, one of Mace's best agents. Fitz boosts May's strength and sets her off against Mace. But when Coulson becomes distracted by his former students are being kept by HYDRA, the conflict takes a very different turn.

"No Regrets" finally brings Agents Of S.H.I.E.L.D. back to May, who has been vastly underused in the fourth season of the show. The world of the Framework was essentially created around her core regret and "No Regrets" is, arguably, named for her personality within the Framework. Lacking the regret that gave her some compassion and perspective, May is absolutely ruthless.

Balancing May's story is Simmons continuing to grow as a character. Shocked by witnessing Fitz murder, Simmons struggles to convince others of the truth about the Framework. Unable to convince Mace and Ward, Simmons is given a subtle moral dilemma when she sees Mack. Elizabeth Henstridge does an excellent job with expressing with her eyes the internal conflict in Simmons on whether or not to tell Mack the truth or let him live happy. Agents Of S.H.I.E.L.D. seldom plays subtle, but "No Regrets" manages to do it well in Simmons's arc.

Chloe Bennet also manages to play shock incredibly well as Daisy finds out that Fitz killed Agnes. Bennet, whose birthday is today so "Happy Birthday!," plays Daisy as far more mature than her twenty-five years! Daisy starts looking for the back door out of the Framework and Bennet convinces the viewer of her professionalism and ability in "No Regrets."

While there are some decent performances in "No Regrets," the episode is somewhat aimless on the plot and character fronts. The viewer is treated to seeing how Fitz has been kept in line in his new personality inside the Framework. Unfortunately, seeing it for Fitz is not truly exceptional; we get the concept already, we've seen it with the other characters. Seeing Fitz actually emotionally kept in check by his father does not actually deepen his nefarious character beyond the mad scientist he already was.

"No Regrets" is all over on the plot front as most of the characters are in holding patterns while waiting for the big action and May's inevitable beat-down with Mace. To keep the sense of novelty in the episode, "No Regrets" features guest appearances by multiple characters who have appeared in prior episodes of Agents Of S.H.I.E.L.D.. From Kenneth Turgeon, who was a short-lived HYDRA mad scientist, to Fitz's father, the cameos are marginally-entertaining, but do not hold up under much scrutiny. While Triplet might reasonably be a construct from Coulson, Fitz and Mack's memories, Turgeon's presence in the Framework makes no rational sense (he was only encountered by Bobbi Morse and Simmons). Given that the Framework does not draw on Simmons's memories Morse is long-gone, Turgeon could not actually have been constructed (reasonably) within the Framework.

That said, "No Regrets" is not bad, it is just not superlative; it moves the plot toward its obvious conclusion with the sense that the writers had a set number of episodes to fill for the season, more than an organic sense of story flow. The result is a very average episode of Agents Of S.H.I.E.L.D..

For other works involving alternate realities for characters, please visit my reviews of:
"Mirror, Mirror" - Star Trek
"Sleep No More" - Doctor Who
"Welcome To Earth-2" - The Flash

[Knowing that single episodes are an inefficient way to get episodes, it's worth looking into Agents Of S.H.I.E.L.D. - The Complete Fourth Season on DVD or Blu-Ray, which is also a better economical choice than buying individual episodes. Read my review of the fourth season here!
Thanks!]

5/10

For other elements of the Marvel Cinematic Universe, please check out my Marvel Cinematic Universe Review Index Page for a comparative list of how all the shows, episodes and movies in the universe stack up against one another!

© 2017 W.L. Swarts. May not be reprinted without permission.
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Tuesday, January 31, 2017

Essential Enemies, One Key Conflict Make "The Legion Of Doom" Pretty Impressive!


The Good: Some good performances, Moments of character, Special effects
The Bad: Incredibly basic plot
The Basics: The Legends Of Tomorrow confront "The Legion Of Doom" and the result is that the show manages to bring back the menace of the villains and the creativity and intellect of the heroes.


When it comes to time travel adventures and works based upon comic book source material, there is a balance to be found between fun and compelling. Legends Of Tomorrow has frequently been fun, especially with references to temporal misadventures and some of the flirtatious sidebars that get thrown in as a result. But Legends Of Tomorrow is now about a team that is self-tasked with stopping temporal manipulation that results in time aberrations and they are confronting one of the most compelling a-list villains in the form of Eobard Thawne's improbable temporal remnant (it is not yet clear how that is working!). As "The Legion Of Doom" begins, Legends Of Tomorrow is put in a position where "fun" is becoming less interesting than an exploration of the true menace the Reverse-Flash represents. "The Legion Of Doom" is put in a place where it must buck the momentum of the season and restore the true menace and villainy of Eobard Thawne and his associates.

And it succeeds on that front.

"The Legion Of Doom" continues the jokes begun in "Raiders Of The Lost Art" (reviewed here!) where Eobard Thawne's new assembly of villains was nicknamed by Dr. Heywood. Despite the origins of that nickname being referenced explicitly and opening up an unfortunate conceptual can of worms within the Berlanti-based DC Comics Television Universe, "The Legion Of Doom" is fairly good at exploring the villains of the second season of Legends Of Tomorrow.

Eight months ago, Damien Darhk was killed by the Green Arrow and Malcolm Merlyn watched footage of it on television - right before Darhk and Thawne appear to offer Merlyn a chance to join their enterprise. The trio comes together to hunt for the Spear Of Destiny, but in the present, they find that Rip Hunter is not apparently in possession of the knowledge they need in order to find the rest of the Spear fragments. Aboard the Waverider, the team tries to figure out what the amulet actually is and they start a scientific explanation of the artifact. As Rip is tortured by the villains, Damien discovers that Rip has a tooth with a map to a safe deposit box.

Dr. Stein turns to his daughter for help with discovering the nature of the artifact, while Merlyn and Darhk begin to turn on one another. The pair takes Rip to 2025 Zurich to access the safe deposit box, where they run into complications when Rip does not know the password he needs to access the vault. In the temporal zone, Lily and Dr. Palmer attempt to access the artifact. In the process, Lily learns her nature. At their lair, Darhk and Merlyn fight it out, while Hunter tries to save his own life. With the Waverider crew finally figuring out who the Speedster is, Thawne has to strike a new deal with Darhk and Merlyn when they make a power move against him.

"The Legion Of Doom" is a proper exploration of the triumvirate of villains for Legends Of Tomorrow. Opening with the recruiting of Malcolm Merlyn, those who are not fans of Arrow get the primer on the adversaries from Arrow who have now carried over into Legends Of Tomorrow. Those who are looking for a much broader Legion Of Doom are likely to be a little disappointed by "The Legion Of Doom." Thawne runs off at one moment for assistance and viewers might hope he is returning with Grodd in order to read Rip's thoughts, but that is not the case. Instead, "The Legion Of Doom" is limited to the three villains already established.

While Legends Of Tomorrow has generally done a good job of establishing and using villains, "The Legion Of Doom" falls into the exceptionally familiar pattern of not allowing villains to actually work effectively with one another. Thawne begins to speed off at regular intervals, hinting that Thawne is being hunted by the Time Wraiths from The Flash and he needs to avoid them. Legends Of Tomorrow continues to show a lack of creativity among the heroes in "The Legion Of Doom;" the villains struggle to understand Thawne's motivations, but none of the Legends seem to think to ask Barry Allen about the identity of the future Speedster.

"The Legion Of Doom" has a lot in it to flesh out Darhk and Merlyn for those who are not fans of Arrow. Essential details like Merlyn missing a hand and Darhk not having any specific knowledge of his relationship with Merlyn are played out well in "The Legion Of Doom." On the main character front, Mick Rory is wonderfully fleshed out in his brief scenes as he stupidly let slips that Lily is a temporal aberration. That leads to one of the few essential character scenes for the heroes of Legends Of Tomorrow and Victor Garber and Christina Brucato truly blow that scene out of the water!

Arthur Darvill continues to dominate his return to Legends Of Tomorrow with a pretty impressive American accent. Director Eric Laneuville opts for a surprisingly PG interpretation of torture when Rip Hunter has a tooth extracted, but no blood left on his mouth or clothes. Darvill still manage to dominate his scenes and his return to Legends Of Tomorrow continues to be welcome.

Matt Letscher does a decent job of getting through all of the exposition needed to explain exactly what Eobard Thawne is running from. In the process, a new villain is introduced and it is pretty cool that it comes into play in Legends Of Tomorrow and not The Flash.

Ultimately, "The Legion Of Doom" is a good episode for finally galvanizing the villains for the second season of Legends Of Tomorrow and the process makes for a solid episode. There are a few funny lines and the tension between the adversaries is somewhat bland, but for the most part, "The Legion Of Doom" manages to cleverly tie the disparate villains together while giving Dr. Stein a chance to explore the nature of his abrupt family. That makes for a solid episode of the show that brings the seriousness back to the time travel adventure well.

For other works with Dominic Purcell, please visit my reviews of:
Legends Of Tomorrow - Season 1
"Rogue Time" - The Flash
"Revenge Of The Rogues" - The Flash
"Going Rogue" - The Flash
Prison Break - Season 1
Blade: Trinity
Equilibrium
Mission: Impossible II

[Knowing that single episodes are an inefficient way to get episodes, it's worth looking into Legends Of Tomorrow - The Complete Second Season on DVD or Blu-Ray, which is also a better economical choice than buying individual episodes. Read my review of the sophomore season of the time traveling hero team here!
Thanks!]

7/10

For other television season and episode reviews, please visit my Television Review Index Page for an organized listing!

© 2017 W.L. Swarts. May not be reprinted without permission.
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Monday, April 23, 2012

With Its One-Disc Pilot Episode Monk Illustrates A Worthy Detective, And An Unremarkable DVD.


The Good: Good acting, Interesting characters
The Bad: No DVD bonus features, Pretty standard detective plot
The Basics: With the "Premiere Episode" release of Monk, an interesting character is created who walks through all of the conceits of the detective series in his first outing.


All detective shows are essentially the same. There, I've said it and committed the ultimate blasphemy to fans of the mystery genre. Objective viewers or readers - little is changed between mystery books and television shows - may easily acknowledge the truth of that argument, but for fans of the genre, it's enough to make me a pariah. And yet, it is true. The only things that differentiate the calibers of detective stories are the characters involved and the level of case being investigated. In other words, it's the characters that make the series and in detective/mystery series' it's the defining factor of what makes for worthwhile vs. passe entertainment.

What separates NYPD Blue from Law & Order from Kojak from Monk is all in the character work and the level of crimes being committed. With NYPD Blue, we have a team of police detectives who week after week are led by the gruff and damaged Andy Sipowicz on cases that help common people right the wrongs done to them. With Monk, we have Adrian Monk, a brilliant loner suffering from an obsessive-compulsive disorder solving crimes in San Francisco. Presented as a no-frills DVD, the pilot episode of Monk, “Monk: The Premiere Episode" is another in a collection of DVDs that seem to be all about luring in a new audience using inexpensive DVDs.

Adrian Monk, obsessed with whether or not the oven has been turned off back at home, is consulting on a murder investigation of a young woman when there is an assassination attempt made on the campaigning mayor. Killed in the crossfire is a bodyguard and when Monk notices some similarities in the higher profile case, he is brought in to consult on the slaying of the mayor's bodyguard. Encouraged by his nurse, Sharona, who is frustrated by how much time and attention handling Monk demands of her Monk begins pursuing his own leads that connect the murdered woman and the dead bodyguard, potentially implicating the mayor, his opponent, his wife and virtually every member of his staff!

Along the way, Adrian Monk is thrust into circumstances that make him uncomfortable and expose his social awkwardness. Meeting with the mayor's wife, he encounters a school full of young children which is basically a hell on earth for the germaphobe. He knocks over a strategic map with hundreds of color-coded pins only to be able to replace all of them exactly based on the single glance he had at the board prior to knocking it over. And, because this is a pilot episode where the purpose is to establish as much in the way of characterization as possible, he ends up on a pole, paralyzed by a fear of heights.

Monk - The Premiere Episode falls into virtually all of the obvious character conceits for establishing a character and a series. Adrian Monk is instantly created as one of the most quirky, brilliant and distinctive detectives since Colombo. He is characterized as suffering from an obsessive compulsive disorder stemming from the unsolved murder of his wife, which instantly raises the intriguing character possibility that at some point, Monk could be cured and lose his distinctive qualities! After all, if all that separates Monk and Monk is the quirky brilliance that comes from a man suffering a debilitating mental illness that makes him unable to live and work with most so-called "normal" people, the open case of his wife's death, with it being the acknowledged trigger to his paralysis, hangs like a shadow over the character and the series. It leaves the viewer - even in this first episode - caught between wanting to see Monk get the closure needed to move on and the secret desire to keep him in his damaged state.

Because in his germ-obsessed, gun-fearing, car-fleeing neurosis, Adrian Monk is an interesting character to watch. He is funny, painfully awkward and it is very easy to watch this premiere episode and get thrilled when the underestimated detective scores a major clue and makes a giant connection because his unique vantage point affords him the ability. Adrian Monk is instantly an interesting character and Monk is a delightful mix of humorous and clever detective work that comes together quite well.

Unfortunately, it comes together in a far-too formulaic way in many respects, no more so than in the relationship between Adrian Monk and his enabling nurse, Sharona Fleming. Sharona is a single mother who finds her life absolutely dominated by caring for Monk and trying to insure that he gets reinstated. In tandem with Monk's therapist, Sharona is the truest pro-Monk force on the show. The problem, then, comes in the form of the conceits that their relationship brings out.

Here in the premiere episode, Adrian tracks down Sharona while she is on a date, angering her to the point where she quits her job as his nurse and assistant. This prompts the mayor and the police captain, Stottlemeyer, to intervene to try to protect Monk from being alone by working to hire her back. The result is a fairly canned sequence that illustrates just how helpless and disabled Monk is on his own without her aid. The problem here is that any perceptive viewer will get all that from the teaser to the episode. As Monk analyzes clues in the very first scene of the episode, he continues to return to the question of whether the oven is truly off at home and it is only Sharona who keeps him focused and redirects him effectively.

In other words, writer Andy Breckman and director Dean Parisot quite effectively show from the beginning what they degenerate into telling later on. It's a disappointing plot and character conceit that serves little purpose other than to flesh out a pilot episode to an hour nineteen minutes instead of the standard forty-three minute "hour" debut. Similarly, late in the episode a scene involving Sharona, Adrian and Sharona's son allows Monk to put together the last clues needed to crack the case in a plot-convenient obviousness that only occurs in films of this sort.

True cinephiles of the mystery/detective genre will note that the scene involving Sharona and her date is compositionally similar to what Chris Carter edited out of The X-Files's pilot episode. The treasured deleted scene to that episode has Scully out on a date to illustrate that she had a life outside the FBI and it seems that Sharona's date scene is trying to make the same point, that she wants to have a life outside of caring for Adrian Monk.

What makes this premiere episode one of the better ones on the market is the quality of the source material. The actors are all doing a pretty impressive job at establishing their characters and the world of Monk. It is a delight to see Gail O'Grady as the mayor's wife, Miranda . O'Grady is known to fans of detective shows as Donna Abandando from NYPD Blue, where she began as an extra and became a regular in the second season due to her overwhelming popularity. O'Grady here is anything but timid or reserved as she was as Abandando, delivering one of the funniest lines in the episode as she watches Monk reinsert pins into the police board.

Bitty Schram, who plays Sharona, makes a distinctive impression from the moment she first appears on screen. She has a very subtle authority to her that makes it very believable that she might be a home health care aid and have the ability to keep Adrian focused. Schram modulates well between the script-demanded compassion and impatience to create a very realistic and vital character.

But it is Tony Shalhoub, who plays Adrian Monk, who is responsible for whether or not the episode sinks or swims. Shalhoub played the chief engineer character in Galaxy Quest and there he had a reserved quality that made for a more subtle form of humor. He seems to call upon some of those same tricks, the shrug, the quiet piercing "what?!" look that he can do with his eyes, but he enhances what we've seen from him before with an even stronger physical presence. Shalhoub contorts his body so that Monk never seems to take up all that much space. Instead, he is focused, compact and walks in a way that gives the sense that he is confined. Shalhoub brings a lot of physical awkwardness to sell the role and he does it admirably.

On DVD, the premiere episode looks and sounds good, but despite the great acting, interesting characters and cripplingly predictable crime-solving plot, it is ultimately impossible for me to recommend this DVD. It's one episode, with no bonus features. I understand the principle of these pilot-episode releases, but do not believe they work. The purpose, of course, is to offer an affordable option for those considering the more expensive full-season DVD boxed set. The problem is, many viewers will watch the first episode, especially of a largely episodic series like this one appears to be, and might even enjoy it but not be intrigued enough by the mere idea that there is more out there. Monk solves a case. Okay, if you buy the DVD season boxed sets that follows, presumably he does it again and again and again. Without even a second episode to illustrate that there is something worthwhile coming up, the viewer has to assume that the repetition is going to be, well, just that. Another episode and a commentary track or featurette might have added some value to this disc that would have made it worthwhile, but as it stands it severely underuses the medium.

For other pilot episode reviews, please be sure to check out my takes on:
“Pilot” - Millennium
“The Cage” - Star Trek
“The First Episode” - Northern Exposure

5/10

For other television reviews, please visit my index page on the subject by clicking here!

© 2012, 2008 W.L. Swarts. May not be reprinted without permission.
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